Skin Shade Night Day

Before Noon

June 2022 •

An unfinished short student film about dreaming

Butterfly of Love

December 2004 •French

By subjecting fragments from the film 'Rashomon' by Akira Kurosawa to the mirror effect, Provost creates a hallucinating scene of a woman's reverse chrysalis into an imploding butterfly. Papillon d'amour produces skewed reflections upon love, its lyrical monstrosities and wounded act of dissappearance.

Sea of Cranes

January 2021 •English

A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.

Pixel Forest

February 2016 •English

Each pixel is separated like an exploded screen, set in a chaotic way into the space. The video has a whole movement in the room, as one three dimensional image. The experience resembles the brain, working with electromagnetic waves and low voltage information.

Voga

June 2023 •Portuguese

Mediterranean Landscape

November 2021 •Greek

This handmade silent film is a sociopolitical satire of our everyday life in Cyprus. Part of the Cyprus Collage Trilogy.

A Walk in the Woods

January 2024 •English

editing experiments with a walk in the woods

Mrtvý les

February 2000 •Czech

Ontmaskerd

Invalid date •Dutch

A Brief History of Circles

February 2024 •English

An experimental video essay which uses circles and waves to explore neurodivergent experience.

Rubicon

January 2004 •English

A stunning, sweeping technohistory, tracing the human race from birth to obsolescence. Sacred geometry and ominous CGI intertwine with a retelling of the story of Noah to illuminate the illusion of authority and the nature of autonomy in the contemporary digital sphere. Featuring parking meters by master animator Jeremy Fernsler and a breathtaking score by Edward Kurland. The DVD version of Rubicon contains additional interactive material in the audio and subtitle tracks. Selected Screenings: Athens International Film and Video Festival, UFVA 2004 (Honorable Mention), Dallas Video Festival, NewFilmmakers at Anthology Film Archives

Billy Doucette's Hornpipe

September 1980 •English

A fiddler's hand creates its own choreography is music is performed. This film is an attempt to share the dance. In the tradition and spirit of a Norman McLaren short, a light attached to a fiddle bow traces a dancing dot of light in darkness. The music was composed and is performed by Gordon Stobbe on fiddle and accompanied by Bill Doucette on guitar.

Dos

January 2016 •Spanish

Short experimental film by Ernesto Baca

fifteen zero three nineteenth of january two thousand sixteen

January 2024 •Swedish

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

25,000

January 2024 •English

A video project meant to highlight the human cost in Palestine.

Compound Eyes

September 2011 •English

Commissioned by the Exploratorium in San Francisco, Paul Clipson's five-part COMPOUND EYES cycle delves into the otherworldliness of the natural world. In training his Super-8 camera on insects and other "minor" invertebrates, Clipson draws the eye into an unseen realm, one so delicate as to simultaneously tempt and refuse the touch. Following the surrealist desire to make the familiar strange and the strange familiar, Clipson relates this micro-landscape to the built environment. Electronic musical motifs supplied by frequent Clipson collaborator Jefre Cantu-Ledesma add another layer of inquiry, one tuned to the unspoken space between wonder and terror. This first entry in the series keys the viewer's vision to a single drop of dew on a blade of glass. Wisps of eyelashes, dandelions and insect limbs seem to brush against the lens in a trembling intimation of seeing.

LIMINAL

April 2021 •English

A troubled man returns home for the last time.

Untitled (Pink Dot)

January 2007 •Japanese

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

APARTMENT

June 2023 •German

O Tempo Passa

July 2022 •Portuguese