The Gaze of the Sea

A woman with a troubled past embarks on a journey to deliver a message from the grieving families of fishermen lost at sea five years ago, at their last known location in the Gulf of Mexico. Her odyssey becomes one of personal redemption.

2018-04-05 | es

Baraka

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

1992-09-15 | en

Bed Peace

John and Yoko in the presidential suite at the Hilton Amsterdam, which they had decorated with hand-drawn signs above their bed reading "Bed Peace." They invited the global press into their room to discuss peace for 12 hours every day.

1969-03-24 | en

Belov: A Life at Sea

The first biographical documentary film about the greatest Brazilian sailor by miles traveled. Setting sail from Salvador - Bahia - Brazil, Capital of the Blue Amazon, the Ukrainian Brazilian personality Aleixo Belov has already circumnavigated the globe five times, three of them alone, aboard a little sailboat built in his own backyard.

2025-01-25 | pt

Persecution Blues: the Battle for the Tote!

In 2010, the iconic Tote Hotel – last bastion of Melbourne’s vibrant music counterculture – was forced to close by unfair laws. Filmed over 7 years, “Persecution Blues” depicts the struggle of more than 20,000 fans – and the bands who inspire them – to preserve their history and protect their future, and puts the audience on the front line of an epic-scale culture war.

2011-07-28 | en

Roundhay Garden Scene

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

1888-10-14 | en

The Future Tense

Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.

2022-09-02 | en

Young At Heart

Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.

2008-10-02 | en

Raul Brandão was a Great Writer...

This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.

2012-04-05 | pt

Deep Blue

Deep Blue is a major documentary feature film shot by the BBC Natural History Unit. An epic cinematic rollercoaster ride for all ages, Deep Blue uses amazing footage to tell us the story of our oceans and the life they support.

2003-05-18 | en

The L.A. Riots: 25 Years Later

HISTORY brings you an all-encompassing documentary event cantered around the 25th anniversary of the LA Riots, the most destructive riot in American history that left 53 people dead and caused over a billion dollars in damage.

2017-04-23 | en

Lágrimas rojas

2006-12-06 | es

Pyhä

2017-01-26 | fi

Equator - Reef of Riches

The Indonesian archipelago in the Indo-Pacific Ocean comprises thousands of islands, atolls and the largest concentration of coral reefs in the world. This rich and varied environment is a product of a unique set of natural circumstances. The equatorial sun powers ocean currents among the tiny dots of land. Where the archipelago meets the western tip of New Guinea an intersection of ocean currects creates perhaps the world's richest reefs - in the region of the Rajah Ampat Islands. A coral reef houses a myriad of colors, shapes and patterns: from the bulb tentacle anemone which protects, and in turn is protected by, the brightly coloured clownfish; to the multi-branched gorgonian, home of the tiny pygmy seahorses.

2009-09-08 | en

Micropubs - The New Local

Inspired by the original micropub craze in Kent, three entrepreneurial Londoners decide to open their very own micropub and revitalise their high streets through a love of real ale, conversation and community spirit.

2020-12-16 | en

Wal-Mart: The High Cost of Low Price

This documentary takes the viewer on a deeply personal journey into the everyday lives of families struggling to fight Goliath. From a family business owner in the Midwest to a preacher in California, from workers in Florida to a poet in Mexico, dozens of film crews on three continents bring the intensely personal stories of an assault on families and American values.

2005-11-04 | en

Leftovers

A manufactured memory.

2017-05-23 | en

The Sea in Their Blood

A film made for the Central Office of Information concerning Britain's coastline, with music by Michael Nyman.

1983-10-05 | en

Il était une fois Disney & la France

French documentary on Walt Disney's relationship with France through his personal and professional life.

2023-12-08 | fr

From a distant time.

In the summer of 1900, the first film camera was purchased by Mozaffar ad-Din Shah Qajar for Iran, and immediately the first Iranian moving images were captured by this camera. These images, in an obsessive manner, have embodied the mesmerized gaze of people. In the span of 79 years since the purchase of this camera, Iran has undergone two revolutions and two coups, and throughout all these moments, the camera has been present as the recorder of people's mesmerized gazes. These mesmerized gazes are in a way as if they are the ones looking at us, not the other way around. It seems like these gazes are trying to convey something, but what? No one knows. Now, we gaze at those who have gazed at us from a distant time.

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