Architecture of Infinity

How can structures, which take up defined, rigid portions of space, make us feel transcendence? How can chapels turn into places of introspection? How can walls grant boundless freedom? Driven by intense childhood impressions, director Christoph Schaub visits extraordinary churches, both ancient and futuristic, and discovers works of art that take him up to the skies and all the way down to the bottom of the ocean. With the help of architects Peter Zumthor, Peter Märkli, and Álvaro Siza Vieira, artists James Turrell and Cristina Iglesias, and drummer Sergé “Jojo” Mayer, he tries to make sense of the world and decipher our spiritual experiences using the seemingly abstract concepts of light, time, rhythm, sound, and shape. The superb cinematography turns this contemplative search into a multi-sensory experience.

2019-01-31 | de

Joe’s Pub Presents: A Holiday Special

Taping at the iconic Joe’s Pub inside the historic Public Theater in downtown Manhattan, Joe’s Pub Presents: A Holiday Special will feature a variety of holiday themed performances from acclaimed comics, singers and actors including Bridget Everett, Jo Firestone, Jen Kirkman, Nick Thune and many more. Funk and soul group THE DAP-KINGS will serve as the house band for the evening.

2016-12-21 | en

The Voice of Hollywood

The Voice of Hollywood hosted by Pat O'Brien. Features Joan Blondell, Robert Montgomery, Elissa Landi, Warner Baxter, and the coronation of Mary Pickford as "Queen of the Arts." It is not currently clear which number in the series this is because it isn't on IMDB or any listing).

1930-08-30 | en

Daybreak Express

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

1953-01-01 | en

Post Traumatic: An American Nightmare

This thirty minute documentary features interviews with Giovinazzo's key contemporaries discussing the continued impact and influence of Combat Shock twenty-five years later.

2009-07-28 | en

Running Waters

A portrait of the daily life of Zé de Sabino, a fisherman who works and lives in the breathtaking village of Regência, Espirito Santo (located near the Rio Doce, which suffered one of the greatest environmental tragedy in Brazil's history). The vastness of man is a place suspended in time, bordered by sky, land, river, and sea.

2016-02-12 | pt

Scum Manifesto

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

1976-01-01 | fr

Larisa

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

1980-10-01 | ru

Reimagining A Buffalo Landmark

The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.

2019-04-12 | en

Brasilia, Contradictions of a New City

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

1968-01-01 | pt

Land Without Bread

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

1933-12-01 | es

A Place of Our Own

2014-03-23 | it

Where Do You Stand Now, João Pedro Rodrigues?

João Pedro Rodrigues answers the question from the title with an autobiographical short-film.

2016-11-28 | pt

I Am Scared As Hell

Experimental video art shot in the Wallingford neighborhood of Seattle

2022-05-23 | en

Nighthouse

Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noche explores those same histories from the point of view of an insider, as a lived experience that is evocatively mirrored through ripped and torn celluloid.

2016-08-19 | es

Bad Boy of Bonsai

Bad Boy of Bonsai is an experimental art-house documentary that focuses on Guy Guidry, a Louisiana local, and his passion for bonsai.

2022-05-16 | en

Water

A Tibetan woman collects water near her family's yak farm and brings it back home 80-pounds full, in a ritual that takes her an hour to complete. A selection from Peabody Award-winning documentarian Bari Pearlman’s Nangchen Shorts series.

2011-06-25 | bo

Jingle Bells: RFK - 1964

Surrounded by his children, his wife Ethel, and Sammy Davis, Jr., RFK visits schoolchildren around the city, and is every bit the good patriarch and dutiful public servant. But it’s the films’ fleeting, in-between, moments where Pennebaker most precisely hits the mark, offering reflection on the possibilities that Robert Kennedy’s all too brief life foreclosed. Set against the pageantry of a long ago Christmas, the film speaks to tragic contingencies of history lying far beyond the ken of politics that continue to circumscribe the tortured destiny of our country.

1977-01-01 | en

In Memory

One year after the death of Simone de Beauvoir (14 april 1986) Delphine Seyrig pays homage by visiting her grave. which she finds still covered with flowers and letters from all over the world.

1987-04-14 | fr

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

1895-03-22 | fr