
And yet they were there
Genres
Overview
Dominique, Suzanne, and Annette: three women who participated in the adventure of the Medvedkine groups (Besançon, Sochaux, 1967-1974). In those same years, the lives of our grandmothers and mothers experienced decisive changes: they worked outside the home and revolutionized customs. A group of Besançon students are investigating those events and questioning their own family memory.
Details
Budget
$0
Revenue
$0
Runtime
30 min
Release Date
2021-12-31
Status
Released
Original Language
French
Vote Count
0
Vote Average
0
6.1
Brainwashed: Sex-Camera-Power
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.
2022-10-21 | en
8.0
Un homme de Parole
1991-01-01 | fr
0.0
At the Lőrinc Spinnery
A candid portrait of the women working at the Lőrinc spinning mill. As with so many of Mészáros’ shorts, this work has foundations in autobiography, and she would later return to this particular world in one of her fiction features.
1972-04-06 | hu
5.7
I Am an Ox, I Am a Horse, I Am a Man, I Am a Woman
This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.
1988-04-01 | en
6.1
The Judge
A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.
2017-09-10 | en
0.0
Welcome to my Darkside: Women in Horror
The horror film genre’s most iconic Scream Queens are featured in this documentary about women’s roles and triumphs, both on-camera and off.
2010-09-25 | en
0.0
Exergo
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
2024-05-04 | eu
5.0
She Who Must Be Loved
A documentary that tells the epic life story of Alfreda Glynn, 78-year-old Aboriginal woman, stills photographer, co-founder of the Central Australian Aboriginal Media Association (CAAMA), and Imparja TV, mother, grandmother, great grandmother, radical, pacifist, grumpy old woman, who in equal measure loves the limelight and total privacy. Part bio-pic, part social history, it details the life of a woman born beneath a tree north of Alice Springs in 1939, her childhood living under the Aboriginal Protection policies and the impact, both good and bad they had on her life.
2018-10-13 | en
0.0
The Woman and the Car
Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'
2018-10-14 | en
8.0
Prüdes Hollywood - Laster, Lust und Leidenschaft im Film
In recent years, Hollywood productions have turned away from sensuality. Is the sex scene on the verge of extinction or reinvention? Alongside film professionals and researchers, this documentary deciphers a trend that speaks volumes about the evolution of the industry and our societies.
2025-04-08 | de
10.0
The Good, The Bad, and the Beautiful
A documentary reflecting on women in film and the entertainment industry through the ages led and hosted by some of its most beloved female icons.
1996-03-17 | en
5.0
Island Home Country
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
2008-08-02 | en
10.0
Battle Front in Britain
From growing potatoes in Green Park, London, to transforming rabbit crates into seed boxes – just a couple of the many ingenious ways of supporting the war effort which are covered in this film from the Ministry of Information.
1918-06-01 | en
0.0
Bride of Trailer Camp
A compilation of "coming attractions" from bad '50s melodrama through the greatest disaster movies of the '70s. Features a chain of your divas including Bette Davis in What Ever Happened to Baby Jane?, Jeanne Moreau in Mademoiselle, Elizabeth Taylor in Butterfield 8 and Boom, Kim Novak in The Legend of Lylah Clare, Susan Hayward in I'll Cry Tomorrow, and Judy Garland in I Could Go On Singing. One clips is a young Rock Hudson promoting Christmas Seals. Bride of Trailer Camp includes specimens of movie trailer artistry.
2001-06-21 | en
0.0
Jodie Promo
a chronological coming attractions overview of Jodie Foster’s career
1995-01-01 | en
8.0
$avvy
$avy investigates the historical, cultural, and societal norms around women and money.
2021-04-01 | en
7.9
Varda by Agnès
An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.
2019-03-28 | fr
0.0
A Motorcycle Saved My Life
The open road presents a point of departure for director lori lozinski to process deep-seated grief. Revisiting the formative experiences that drove her ambition, lozinski examines the influence of her parents in the present light of day.
2022-09-22 | en
0.0
SPEAKABLE
Two girls in their early 20s explore topics of femininity, girlhood, and normalized violence perpetrated on women.
2024-07-12 | en
6.0
Mais qu'est ce qu'elles veulent ?
In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"
1975-04-27 | en