Communism + Sganzerla + Lumière

The Cars We Drove into Capitalism

October 2021 •Bulgarian

A cinematic, character-driven insight to what it meant to produce and to own a car in communist times: the Socialist propaganda dreams and the hard reality of living that dream. The freedom that these slow and clumsy vehicles were giving to their owners; the cars as an instrument in the Cold War battle; legends and homemade tune-ups as an attempt to stand at least a little bit off the crowd.

Sea of Cranes

January 2021 •English

A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.

Comrade, Where Are You Today?

August 2016 •German

In 1988, 20-year-old Kirsi Marie Liimatainen travels from Finland to the GDR, to study Marxism-Leninism at the International Youth Academy. In summer of´89 the course ends and the students spread out over the world. Afew months later, the Berlin Wall falls. 24 years later Kirsi, sets out on a cinematic journey to Nicaragua, South Africa, Chile, Bolivia, Lebanon, Germany and Finland to meet up once more with her former fellow students. What remains of their dream of the liberation of the oppressed?

A Brief History of Circles

February 2024 •English

An experimental video essay which uses circles and waves to explore neurodivergent experience.

fifteen zero three nineteenth of january two thousand sixteen

January 2024 •Swedish

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

25,000

January 2024 •English

A video project meant to highlight the human cost in Palestine.

The Message of the XIII Party Congress (on Cooperation)

January 1925 •Russian

1925 (Soviet Union)

Untitled (Pink Dot)

January 2007 •Japanese

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

O Tempo Passa

July 2022 •Portuguese

Megalópolis

November 2021 •Spanish

Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.

Being in a Place: A Portrait of Margaret Tait

August 2024 •English

Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.

Making the Nature Scene

January 1985 •English

Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”

Moving Memories

Invalid date •Portuguese

On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.

Living the Utopia

November 1997 •Spanish

A retrospective look at the anarcho-syndicalist and anarcho-communist experience in Spain from 1930 until the end of the Civil War in 1939.

bleared eyes of blue glass

January 2023 •

The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered the most experimental among the 20th-century British writer's literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water - precisely - and light, and yet in a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance.

The Grand Design

January 1969 •English

A lecture by G. Edward Griffin, given in the late '60s, exposes the hidden plan that shapes U.S. foreign policy and that the ultimate objective of that policy is the same then as it is now — disarmament and world government.

The Garden Cadences

March 2024 •German

Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, there needs to be a closure. Jone is one of Mollies, the queer-feminist collective that had been living for a decade at a trailer park next to Ostkreuz, Berlin.

An Uncountable Number of Threads

February 2023 •English

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.

We Feed the World

September 2005 •German

A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.

Lenin kam nur bis Lüdenscheid - Meine kleine deutsche Revolution

February 2008 •German