African Styles

The last Balafon Master

Invalid date •German

The Good Life

November 2010 •English

Proper doesn't have to mean prim: Alice Hawkins gives the bourgeoisie mood of the Autumn/Winter 2010 collections a terribly British spin in a tongue-in-chic ode to Margot Leadbetter, Beverly Moss and quintessentially English class consciousness.

Algeria in Flames

January 1958 •Arabic

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.

White Man with Black Bread

January 2007 •German

Christof Wackernagel, best known in Germany as an actor and former member of the Red Army Faction ("RAF") lives in Mali. In his compelling portrait, Jonas Grosch shows a man who simply cannot stand still if he senses injustice. The courage to stand up for one’s beliefs coupled with vanity? However one chooses to look at it, it is easy to imagine what made him connect with the "RAF". With his irrepressible will for freedom, Christof Wackernagel gets entangled in the horrors of day-to-day life in Africa.

Song from the Forest

September 2014 •English

25 years ago, Louis Sarno, an American, heard a song on the radio and followed its melody into the Central Africa Jungle and stayed. He than recorded over 1000 hours of original BaAka music. Now he is part of the BaAka community and raises his pygmy son, Samedi. Fulfilling an old promise, Louis takes Samedi to America. On this journey Louis realizes he is not part of this globalized world anymore but globalization has also arrived in the rainforest. The BaAka depend on Louis for their survival. Father and son return to the melodies of the jungle but the question remains: How much longer will the songs of the forest be heard?

A Joking Relationship

January 1962 •English

This film depicts a moment of flirtation between N!ai, the young wife of /Gunda, and her great-uncle /Ti!kay. The two share a "joking relationship," a Ju/'hoan kin relationship which provides opportunities for casual intimacy, emotional release, and support.

Déjà le sang de mai ensemençait novembre

January 1982 •French

The essay by René Vautier, "Déjà le sang de Mai ensemençait Novembre", starts with the recapitulation of the representations of Algeria throughout the history of visual arts in France in an effort to explore the causes for the quest for independence.

Adwa

November 1999 •Amharic

In 1896, Ethiopia, an African nation, largely armed with spears and knives, defeats a well-equipped and organized Italian military bent on colonization.

Dans le vent

October 1963 •French

Short subject on how fashion is created-- not by the great couturiers, but on the street.

When We Were Kings

October 1996 •English

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

N/um Tchai: The Ceremonial Dance of the !Kung Bushmen

January 1969 •English

Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.

Back To Africa

April 2008 •English

Mountain Girl

March 2024 •English

Reflections on life and her journey by Diane - a retired model and a star of a cult classic horror film "Manos: the Hands of Fate".

Yohji Yamamoto: Dressmaker

June 2016 •English

Yohji Yamamoto | Dressmaker is an intimate and delving portrait of one of fashion's most revered stalwarts. For a man who creates clothing as armour, Yamamoto opens up as never before to share the core values that shape his life and work. Interviews with family, friends, employees and confidants reveal further insight about this complex and enigmatic figure.

Coach Zoran and His African Tigers

February 2014 •English

Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan's first national football team.

Surviving Paradise: A Family Tale

March 2022 •English

In this wildlife drama, a worsening dry season in the Kalahari Desert leaves prides, packs and herds to rely on the power of family to survive.

Afrika ohne Gnade

June 1959 •German

Documentary report from a journey through Equatorial Africa.

Finding Fela

August 2014 •English

Fela Anikulapo Kuti created the musical movement Afrobeat and used it as a political forum to oppose the Nigerian dictatorship and advocate for the rights of oppressed people. This is the story of his life, music, and political importance.

Foccart, l'homme qui dirigeait l'Afrique

September 2010 •French

Traceable

September 2014 •English

Traceable follows Laura Siegel, a fashion designer who takes a critical look at the fashion supply chain and fast fashion industry, travels through India in order to meet and work together with the artisans who create the majority of the clothing that we wear. The film explores our growing disconnect of how and who makes our clothing, thus instilling a need for traceability in the fashion industry.