없는 노래

Voices

May 2024 •Korean

In the turmoil of the Jeju 4.3 incident, Jeju Island witnessed the loss of an estimated 25,000 to 30,000 lives, with women constituting a significant yet often unrecognized proportion of the victims. This documentary illuminates the once-shrouded experiences of these women, led by a dedicated Jeju 4.3 researcher.

Until the Stones Speak

April 2024 •Korean

There are five grandmothers, four of whom went to Jeonju Prison due to the Jeju 4.3. All of them were young people around the age of 20 at the time of the incident in 1948. The outline of the incident is formed when hearing the experiences of those who were sent to prison without trial particularly as women. The audience feels indescribable emotions by the fact that they have lived on despite what they had gone through, things that are just too much for a human being to bear.

April Tragedy

April 2024 •Korean

The oral writer of the April 3 Uprising and a Rwandan who came to Korea to study face each other, have a conversation, and then go on a trip hand in hand. The two people, from different generations, nationalities, and occupations, have something in common: they are the daughters of massacre survivors.

Jeju Prayer

April 2013 •Korean

Focusing on Mrs. Kang Sang-hee’s life, she lost her husband in the Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Island, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

The Shooters

September 2023 •Korean

A Red Color Pencil

September 2023 •Korean

Wan-soon, a 9-year-old girl living on the island, managed to survive a massacre that took place 75 years ago. The lingering effects of this unresolved ordeal are emphasized, and the girl embarks on a journey to depict the vivid red fragments that remain in her memory, using a red colored pencil as her means of expression.

The Red Filter is Withdrawn.

August 2020 •Korean

If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos.

Haewon

May 2018 •Korean

According to a survey by the U.S. military government in 1946, 78% of the South Korean people wanted socialism and only 14% capitalism. By appointing the pro-Japanese collaborators and the rightists, Rhee Syngman, who had not received the people's support, massacred those groups and civilians that were political stumbling blocks. In dealing with the Jeju 4.3 uprising in 1947 and the Yeosun incident in 1948 and The Korean War having broken out, massive civilian massacre became regularized.

Soup and Ideology

June 2022 •Korean

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang, carving out the cruelty of history, and questioning the precarious existence of the nation-state.

May•JEJU•Day

September 2021 •Korean

Immediately after liberation, an incident called 'Jeju Uprising' took place on Jeju Island, the Hawaii of Korea, under the control of the US military government. As a result, about one-tenth of the total population of the island at that time was sacrificed. The children who survived the massacre record the memories of that day in an animated film 70 years later.

Jiseul

January 2013 •Korean

The populace of a South Korean island rebels against police brutality. The protesters are labeled as communists, and the army is dispatched.

끝나지 않은 세월

April 2005 •Korean

Worst to First

February 2022 •English

WORST TO FIRST is a feature-length documentary that portrays the against-all-odds inspirational story of the launch of the iconic and most successful radio station in history, New York City's Z100.

How Did We Get Here?

February 2022 •English

An intimate reflection on life in the digital age and Seán McLoughlin's journey through the highest highs - chanting crowds, sold out shows, and marriage proposals - and lowest lows - grappling with loneliness in the harsh Irish winter - and the life and wonder in between.

In the valley

February 2022 •French

Thierry lives in the Aosta Valley, in Italy. On board his piaggo ape, he travels the paths of the valley to take care of his cows. He also loves Anaïs, but for some time, she doesn’t answer him anymore… From traditional serenades to Italian pop, Thierry sings about love.

Národní umělec Zdeněk Štěpánek

December 1960 •Czech

2020

January 2020 •English

New Bronze edit with all your favourites.

The Spanish Flu: The Invisible Enemy

September 2021 •French

In April 1918, a disease of unknown origin swept across the five continents. In 18 months, millions of lives that had not been taken by the war were swept away by a virus that would cause the worst pandemic in history: the Spanish flu.

France images d'une révolution

January 1989 •French

On the 200th anniversary of the French Revolution, this film is a tribute to the French nation, through historical reconstructions of the Revolution and the First Empire, as well as reports on the successes of France modern, the presence of France in the world, its history and its soil.

Swamp Dialogues

January 2015 •English

The Danube Delta in Romania - the 'Last European Sanctuary’ - is a UNESCO World Heritage Site. While major efforts are made to protect biodiversity, the plight of local communities is largely overlooked. Social scientists claim that the traumatic nature of the swamp bears heavy on the villagers' lives. But is Nature really to blame? Swamp Dialogues is based on an extensive field-research in the Danube Delta Biosphere Reserve. Through a careful ‘argument montage’ built entirely on cinematic language the film represents an anthropological analysis formulated in image and sound.