Drux Flux
Genres
Overview
Partly figurative, partly abstract, Drux Flux is an animation film of fast-flowing images showing modern people crushed by industry. Inspired by One-Dimensional Man by the philosopher Herbert Marcus…
Details
Budget
$0
Revenue
$0
Runtime
5 min
Release Date
2008-09-19
Status
Released
Original Language
English
Vote Count
7
Vote Average
4
0.0
Catgot
A colourful "fountain performance".
2019-05-28 | xx
4.7
Blazes
100 basic images switching positions for 4000 frames.
1961-12-31 | en
4.9
Our Lady of the Sphere
Animation using cutout animation to craft a bizarre science fiction experiment. Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery.
1969-03-15 | en
5.7
Fuji
A live action footage of a smiling, bespectacled (presumably) Western tourist set against the familiar cadence of an accelerating train revving up as it leaves the station sets the mesmerizing tone for the film's abstract panoramic survey of an Ozu-esque Japanese landscape of electrical power lines, passing trains, railroad tracks, and the gentle slope of obliquely peaked, uniform rooflines as Breer distills the essential geometry of Mount Fuji into a collage of acute angles and converging (and bifurcating) lines .
1974-12-31 | en
5.6
Tarantella
Here the artist creates a world of color, form, movement and sound in which the elements are in a state of controllable flux, the two materials (visual and aural) are subject to any conceivable interrelation and modification.
1940-12-31 | en
5.0
Heart String Marionette
A tale about a kid, a samurai mime, and a stripper who all try to defeat a warlord and an evil clown who have successfully turned a countryside into a never ending nightmare filled with horrible monsters.
2012-06-15 | en
0.0
The Dowager's Idyll
2001 Joan C. Gratz animated short
2001-05-31 | en
0.0
The Dowager's Feast
1995 Joan C. Gratz claymation short film
1996-05-30 | en
0.0
Metrovision
A subway passenger suffers from hallucinations and sees the metro that he has just boarded accelerate and gain speed quickly.
1989-01-01 | fr
0.0
Graffiti
A woman carries a cat in a shopping bag that refuses to be petted. Tired of its behaviour, she violently strikes the bag repeatedly against a wall. Then, with the blood of the animal, she draws a heart pierced by an arrow.
1989-01-01 | fr
0.0
Bottling
A man comes home at night and is attacked by a bottle.
1989-01-01 | fr
0.0
Interrogation
A man is horribly tortured by another who wants him to reveal where his girlfriend is hiding.
1989-01-01 | fr
0.0
Emergencies
An ambulance heads towards the "crossroads of the crow's feet" in response to an accident. Unable to find the place, the driver stops at an intersection to ask for directions from a dull-eared local.
1989-01-01 | fr
0.0
The Last Fly
A man pays local children to bring him flies. After having cut off their wings and legs, he sticks them on the walls of his apartment. When a prostitute appears at his door, he sees in her the final piece to his work.
1989-01-01 | fr
0.0
TV Buster
A couple are watching television together. Over time, the shows become more bizarre: a news report about the arrest of two terrorists reveals they have the same faces as the two spectators; in another, a female strips for the man and finally a politician demonises the couple and declares them enemies of the people. Panicked, the couple phone a television exorcist.
1989-01-01 | fr
0.0
Cyclops
The strange transformation of a surveillance camera.
1989-01-01 | fr
5.0
Physical Sculpture
A sculptor models a face with boxing gloves.
1989-01-01 | fr
0.0
Scratch
In Scratch both the animation and the soundtrack are abstract. The movie is a conversation of sounds and images. Soundtrack and animation are scratched directly on 35 mm film.
2000-02-09 | en
0.0
By The Crimson Bands of Cyttorak
Short experimental animation.
1978-07-09 | en
5.6
Color Cry
In 1944 Lye moved to New York City, initially to direct for the documentary newsreel The March of Time. He settled in the West Village, where he mixed with artists who later became the Abstract Expressionists, encouraged New York’s emerging filmmakers such as Francis Lee, taught with Hans Richter, and assisted Ian Hugo on Bells of Atlantis. Color Cry was based on a development of the “rayogram” or “shadow cast” process, using fabrics as stencils, with the images synchronized to a haunting blues song by Sonny Terry, which Lye imagined to be the anguished cry of a runaway slave. —Harvard Film Archive
1952-11-07 | en