
Glorious Technicolor
Genres
Overview
The history of color photography in motion pictures, in particular the Technicolor company's work.
Details
Budget
$0
Revenue
$0
Runtime
60 min
Release Date
1998-12-07
Status
Released
Original Language
English
Vote Count
12
Vote Average
6.7
Angela Lansbury
Narrator (voice)
Esther Williams
Self
Arlene Dahl
Self
Evelyn Keyes
Self
Jack Cardiff
Self
Vittorio Storaro
Self
Cammie King Conlon
Self
Richard J. Goldberg
Self
Robert Gitt
Self (voice)
Fred Basten
Self
Ron Jarvis
Self
Oswald Morris
Self
Daniel Selznick
Self
Jerry Maren
Self
William Tuttle
Self
Thelma Schoonmaker
Self
Kim Hunter
Self
John Alton
Self (archive footage)
Tony Duquette
Self (archive footage)
Eugen Sandow
Self (archive footage) (uncredited)
Annabelle Moore
Self (archive footage) (uncredited)
Douglas Fairbanks
Self (archive footage) (uncredited)
Ingrid Bergman
Self (archive footage) (uncredited)
Vivien Leigh
Self (archive footage) (uncredited)
Leslie Howard
Self (archive footage) (uncredited)
6.7
Workers Leaving the Lumière Factory
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
1895-03-22 | fr
6.0
Vivement Truffaut
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
1985-07-12 | fr
0.0
Le Club: Claude Jade
2001-04-11 | fr
7.9
D'un film à l'autre
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
2011-04-13 | fr
6.0
Cotton Mill, Treadmill
Director Denys Arcand made an inquiry on textile industry in Quebec, meeting employers and workers of that industry.
1970-10-13 | fr
0.0
Ver a Hilda Vera
A living room, two video cameras, an armchair, two televisions and a mirror: domestic daily life in which colleagues, family and friends come together to decipher the life, personality and artistic trajectory of one of the most important actresses of Venezuelan Cinema: Hilda Vera
1998-10-22 | es
5.3
The James Dean Story
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
1957-08-13 | en
6.8
Running for His Life: The Lawrence Phillips Story
Feature length documentary examining the troubled life and tragic death of college football standout and talented NFL running back Lawrence Phillips, whose scars of childhood abuse and abandonment haunted him throughout his career.
2016-12-16 | en
7.6
The Pixar Story
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
2007-08-28 | en
6.0
Salò: Fade to Black
A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.
2001-01-01 | en
6.5
In the Shadow of Hollywood: Race Movies and the Birth of Black Cinema
This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences. The best of these films attempted to counter the demeaning stereotypes of black Americans prevalent in the popular culture of the day. About 500 films were produced, yet only about 100 still exist. Filmmaking pioneers like Oscar Micheaux, the Noble brothers, and Spencer Williams, Jr. left a lasting influence on black filmmakers, and inspired generations of audiences who finally saw their own lives reflected on the silver screen.
2007-09-15 | en
6.3
Roundhay Garden Scene
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
1888-10-14 | en
6.4
Here and Elsewhere
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
1976-09-15 | fr
5.6
A Boyfriend for Christmas
Holly Grant has learned a long time ago not to rely on Santa Claus leaving Mr. Right in her Christmas stocking. But Holly is in for a surprise when a handsome man arrives on her doorstep with a twinkle in his eye and Yuletide tree in tow.
2004-11-27 | en
5.3
Don't - Der Österreichfilm
Found footage sequences from various obscure campy Austrian films assembled together with a very dark disturbing soundtrack.
1996-01-01 | de
7.0
The Latino List
Documentary film interviews leading Latinos on race, identity, and achievement.
2011-09-29 | en
4.0
Christina Lindberg: The Original Eyepatch Wearing Butt Kicking Movie Babe
A look at the life and work of Christina Lindberg, the most famous Swedish model of the 1970s and star of exploitation cinema.
2015-10-02 | en
6.5
Monsieur Truffaut Meets Mr. Hitchcock
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
1999-08-05 | en
5.7
Chaplin Today: 'The Kid'
This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
2003-03-02 | en
0.0
Podium
2007-02-23 | en