USSR (1917-1991)

Moscow 1996, Vote or Lose!

November 2021 •French

Moscow, January 1996. Boris Yeltsin gets ready to run for a second mandate of the presidency of the young Russian Federation. Polls are in the single digits. A painful economic transition, war in Chechnya, and the rise of criminal groups have left the majority of Russians dissatisfied with Yeltsin… and willing to vote for the communist leader Gennady Zyuganov. Yet six months later, Yeltsin won the election with nearly 54% of the vote. How did that happen?

Sea of Cranes

January 2021 •English

A short experimental tone-poem documentary that explores three stages of the gentrification of Seattle.

Homeland Gone

July 2020 •Spanish

Lebanon is a country hijacked by sects, money, and power. While citizens long for a collective identity to thrive as a community, politicians use the sectarianism for their corrupt ambitions. Unless there is a change, Lebanon will be lost forever.

A Brief History of Circles

February 2024 •English

An experimental video essay which uses circles and waves to explore neurodivergent experience.

Taiwan: The Generation After Martial Law

January 1990 •Chinese

This program illustrates how video activists have developed sophisticated use of small format video, with poetic and powerful imagery, complex mixes of sounds and scores and an effective editing style that belies the urgency under which it is being made. The video movement in Taiwan has made successful use of home cassette distribution, via both mail and street vendors. The Green Team collective has pioneered in this effort with over 100 titles in distribution, documenting the struggles of farmers, students, workers and environmentalists.

fifteen zero three nineteenth of january two thousand sixteen

January 2024 •Swedish

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

25,000

January 2024 •English

A video project meant to highlight the human cost in Palestine.

Checkmate: Strategy of a Revolution

January 2003 •German

How does one trigger a revolution? In the Romanian uprising in 1989, everything seemed to happen by itself. The people were fed up and were plagued by poverty and terror. There comes a time when action must be taken! But, it turns out that history is not that simple, as this investigative documentary proves. The film is a thorough and revealing reconstruction of the events leading up to Ceaucescu’s downfall and execution. In actual fact, the Romanian revolution was a strictly managed operation, controlled from the outside. Hungary, Germany and especially America had big fingers in the pie.

Khamsin

January 2019 •French

Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.

Untitled (Pink Dot)

January 2007 •Japanese

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

O Tempo Passa

July 2022 •Portuguese

Megalópolis

November 2021 •Spanish

Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.

Being in a Place: A Portrait of Margaret Tait

August 2024 •English

Drawing on a wealth of unseen archival material and unpublished notebooks, the film weaves a complex and personal portrait of Margaret’s life, from the perspective of a fellow artist sensitive to the potential Margaret envisaged for film as a poetic medium.

Making the Nature Scene

January 1985 •English

Long before Kim Gordon was a cooler-than-thou multimedia artist in Body/Head, she was a cooler-than-thou multimedia artist in Sonic Youth. In the ’80s, Gordon and her bandmates were fixtures of New York’s downtown art and music scene; one regular haunt of theirs was legendary nightclub Danceteria, which served as the setting for a short film Gordon made sometime around 1985. Now, as Dangerous Minds points out, said video has surfaced online thanks to filmmaker/designer Chris Habib (a.k.a. Visitor Design). “Excellent video I found in my Sonic Youth archive,” Habib writes on the clip’s Vimeo page. “I digitized it for Kim during her [early 2000s] CLUB IN THE SHADOWS exhibition at Kenny Schachter’s old space in the West Village.”

Absent without Leave

July 2016 •Chinese

They sacrificed their lives fighting for the independence of their country, but their stories remain untold for 60 years. The story begins with a man’s portrait, which has been hanging for more than 30 years in an old wooden house where I was born and grew up in Perak, Malaysia. It’s long become a taboo that my families do not talk about this man, not even to bring up his name or his past. Eventually I found out he is my grandfather, who sacrificed his life fighting for Malaysia’s independence and decolonisation, but his and his comrades’ stories are excluded from history. This documentary set out to unveil the mysteries.

Moving Memories

Invalid date •Portuguese

On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.

Living the Utopia

November 1997 •Spanish

A retrospective look at the anarcho-syndicalist and anarcho-communist experience in Spain from 1930 until the end of the Civil War in 1939.

bleared eyes of blue glass

January 2023 •

The "bleared eyes of blue glass" in the title of this experimental short expand on a verbal image from Virginia Woolf's novel The Waves, considered the most experimental among the 20th-century British writer's literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water - precisely - and light, and yet in a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance.

The Garden Cadences

March 2024 •German

Jone is ready to fly. She finds herself at the beginning of something new, but before she moves on, there needs to be a closure. Jone is one of Mollies, the queer-feminist collective that had been living for a decade at a trailer park next to Ostkreuz, Berlin.

An Uncountable Number of Threads

February 2023 •English

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.