Kitchen Dialogue
Genres
Overview
A generational trauma through the lens of an Asian American teenager through food and poetry.
Details
Budget
$500
Revenue
$0
Runtime
13 min
Release Date
2025-04-19
Status
Released
Original Language
English
Vote Count
0
Vote Average
0
Mimi Yu
Narrator
Thao Tran
Poem Narrator
7.3
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1922-07-10 | en
7.3
Ashes and Snow
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2005-03-05 | en
7.5
A Fire
The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.
1961-04-01 | fa
8.2
Night and Fog
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
1959-04-27 | fr
7.0
Land Without Bread
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
1933-12-01 | es
7.5
Lou
A Pixar short about a lost-and-found box and the unseen monster within.
2017-06-16 | en
7.5
Brasilia, Contradictions of a New City
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
1968-01-01 | pt
6.1
Rocky and Bullwinkle
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2014-10-14 | en
6.8
Party Central
Mike and Sulley are back at Monsters University for a fun-filled weekend with their Oozma Kappa fraternity brothers. The gang is throwing their first party, but no one’s showing up. Luckily for them, Mike and Sulley have come up with a plan to make sure “Party Central” is the most epic party the school has ever seen.
2014-02-20 | en
7.4
Sans Soleil
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1983-01-01 | fr
7.3
Daybreak Express
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1953-01-01 | en
0.0
Post Traumatic: An American Nightmare
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2009-07-28 | en
0.0
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2016-02-12 | pt
6.9
Olympia: Part One – Festival of the Nations
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
1938-04-21 | de
6.7
Olympia: Part Two – Festival of Beauty
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
1938-06-02 | de
6.7
Workers Leaving the Lumière Factory
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
1895-03-22 | fr
0.0
Pompeii and the Roman Villa
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2008-10-19 | en
7.5
Berlin: Symphony of a Great City
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1927-09-23 | de
7.5
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Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
1990-05-18 | en
7.8
The Wrong Trousers
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
1993-12-17 | en