Notes about identity

2017-11-18 | es

The King Without a Crown

This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.

1937-10-09 | en

The Zodiac

The history of the infamous serial killer known as the ‘zodiac’ in the late 1960s. It takes you through his kill rampage and to the case that still to this day has not been cracked.

2024-06-20 | en

THE MACHINE

2024-06-02 | he

Olympia: Part One – Festival of the Nations

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

1938-04-21 | de

Olympia: Part Two – Festival of Beauty

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

1938-06-02 | de

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

1895-03-22 | fr

Mild Madness, Lasting Lunacy

This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.

2020-03-11 | fr

A Foot in the Door

A Foot in the Door tells the story of Kindergarten to College (K2C), the first universal children’s savings account program in the United States. Launched by the City and County of San Francisco, the program automatically provides a college savings account to children when they start kindergarten.

| en

One Second in Montreal

A silent succession of black-and-white photographs of the city of Montreal.

1969-09-25 | en

Pusharatas: A Biloxi-Croatian Tradition

Every year at Christmas, the women of the Slavonian Ladies' Auxiliary celebrate their culinary heritage by getting together to make pusharatas (a type of Croatian doughnut) for the people of Biloxi, Mississippi.

2013-08-22 | en

47 Days, Sound-less

47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.

| en

To Kill a Mockingbird: All Points of View

A 60th anniversary retrospective documentary on the influence and context of the 1962 film, To Kill a Mockingbird.

2022-10-11 | en

Song 5

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

1964-03-20 | en

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

1959-04-27 | fr

Cinéma Laika

In the heart of the Finnish forest, the long-closed foundry of the little town of Karkkila has come back to life thanks to director Aki Kaurismäki and his creation of the town's first cinema. The peace and calm of the little town of Karkkila, nestled deep in the Finnish forest, is interrupted by unexpected sounds. In the abandoned foundry, noisy building work is taking place. Inside the building, Aki Kaurismäki is both builder and site manager of what is soon to become the Kino Laika cinema. The creation of the cinema is the talk of the town. In the factory still in activity, in a 1960s Cadillac, in a bikers' club, in the local pub, in the woods or in Aki Kaurismäki's former editing room, people start talking about cinema again.

2023-06-24 | fr

The Talk

“The Talk” showcases the experiences of three LGBTQ+ youth learning about sex health under an inadequate Canadian sex-ed curriculum. Each subject opens up about their knowledge surrounding sexual health, gender identity, the not so honest information they were taught in their classrooms and its impact on their self-image.

2022-05-27 | en

Berliner Ballade

Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.

1990-11-08 | fr

Liminality & Communitas

After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.

2018-11-11 | fi

Paparazzi

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

1964-09-22 | fr