I Don’t Just Want You to Love Me
Genres
Overview
A documentary about the life and work of director Rainer Werner Fassbinder.
Details
Budget
$0
Revenue
$0
Runtime
97 min
Release Date
1992-06-11
Status
Released
Original Language
German
Vote Count
10
Vote Average
6.4
Harry Baer
Self
Michael Ballhaus
Self
Karlheinz Braun
Self
Karlheinz Böhm
Self
Ingrid Caven
Self
Rainer Werner Fassbinder
Self (archive footage)
Andréa Ferréol
Self
Pea Fröhlich
Self
Dietrich Lohmann
Self
Juliane Lorenz
Self
Peter Märthesheimer
Self
Lilo Pempeit
Self (as Liselotte Eder)
Kurt Raab
Self (archive footage)
Peer Raben
Self
Günter Rohrbach
Self
Volker Schlöndorff
Self
Xaver Schwarzenberger
Self
Hanna Schygulla
Self
Luggi Waldleitner
Self
Peter Zadek
Self
6.7
Loose Change
2nd Edition of Loose Change documentary. What if...September 11th was not a surprise attack on America, but rather, a cold and calculated genocide by our own government?We were told that the twin towers were hit by commercial jetliners and subsequently brought down by jet fuel. We were told that the Pentagon was hit by a Boeing 757. We were told that flight 93 crashed in Shanksville, Pennsylvania. We were told that nineteen Arabs from halfway across the globe, acting under orders from Osama Bin Laden, were responsible. What you will see here will prove without a shadow of a doubt that everything you know about 9/11 is a complete fabrication. Conspiracy theory? It's not a theory if you can prove it.Written and narrated by Dylan Avery, this film presents a rebuttal to the official version of the September 11, 2001 terrorist attacks and the 9/11 Commission Report.
2005-12-11 | en
0.0
Our Inflammable Film Heritage
Introduction to an extensive training program for everyone professionally involved in the process of film conservation and film restoration. The realization of this training program was initiated and coordinated by ECIPAR (Bologna-Italy) and the Cineteca del Comune di Bologna. It was produced in co-operation with eleven European film archives and film laboratories and co-financed by the FILM project - FORCE program of the European Community.
1994-01-01 | en
0.0
End of the Commune?
A documentary about Fassbinder and the early years of the legendary Antiteater, the group he was a member/leader of. You can here see and hear some of the actors he was going to use in his movies for the next years. The movie shows rehearsals for his play "The Coffeehouse," which also became a television movie, and you can watch unique footage from the 19th Film Festival in Berlin (1969) where "Love is Colder Than Death" was shown. As told in this documentary, his first feature movie was given a cold shoulder by many of the journalists and visitors at the festival. You can in "End of the Commune" watch Fassbinder and actor Ulli Lommel walk out on stage after the opening of "Love is Colder Than Death,” while a man in the audience is shouting "Out with the director!” In this documentary, Fassbinder also talks a lot about his father, who was a respectable doctor.
1970-06-05 | de
6.3
Roundhay Garden Scene
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
1888-10-14 | en
8.5
Rif 1921, una historia olvidada
Manuel Horrillo has visited for 7 years the fields where the clashes between the Spanish troops and the rebels of the protectorate took place during the so-called Rif War, a forgotten war of the Spanish collective imaginary.
2008-07-24 | es
6.5
Captain Blood: A Swashbuckler Is Born
This documentary is featured on the DVD for Captain Blood (1935), released in 2005.
2005-04-20 | en
4.4
Montgomery Clift
A documentary incorporating footage of Montgomery Clift’s most memorable films; interviews with family and friends, and rare archival material stretching back to his childhood. What develops is the story of an intense young boy who yearned for stardom, achieved notable success in such classic films as From Here to Eternity and I Confess, only to be ruined by alcohol addiction and his inability to face his own fears and homosexual desires. Montgomery Clift, as this film portrays him, may not have been a happy man but he never compromised his acting talents for Hollywood.
1983-01-01 | en
7.6
The Pixar Story
A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.
2007-08-28 | en
0.0
Neuer Deutscher Film Report
Interview film with the protagonists of the New German Cinema in 1966.
1967-01-01 | de
6.0
Salò: Fade to Black
A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.
2001-01-01 | en
6.3
Auge in Auge - Eine deutsche Filmgeschichte
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
2008-07-03 | de
6.4
Decasia: The State of Decay
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
2002-01-24 | en
6.2
Naples Is a Battlefield
The capture of Naples, the first great European city to be liberated, revealed the magnitude of the tasks involved in re-creating the means of livelihood and the machinery of government in a devastated, starving and disease-ridden city.
1944-09-01 | en
5.0
The Making of 'Rio Grande'
A short documentary about the making of John Ford's "Rio Grande."
1993-01-01 | en
4.0
The Great Stone Face
A documentary about the work of Buster Keaton.
1968-01-01 | en
7.2
There We Are John...
In this revealing documentary, Ken McMullen creates an elegant portrait of artist and filmmaker Derek Jarman, based on an interview conducted by John Cartwright. The questions are unobtrusive, allowing Jarman to reflect on his major films. Despite the debilitating effects of serious illness, we see an artist with his inner vision unimpaired; still humorous, self effacing and disarmingly charming.
1993-10-01 | en
5.4
The James Dean Story
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
1957-08-13 | en
7.0
The Latino List
Documentary film interviews leading Latinos on race, identity, and achievement.
2011-09-29 | en
6.0
Vivement Truffaut
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
1985-07-12 | fr
5.0
Okay for Sound
This short was released in connection with the 20th anniversary of Warner Brothers' first exhibition of the Vitaphone sound-on-film process on 6 August 1926. The film highlights Thomas A. Edison and Alexander Graham Bell's efforts that contributed to sound movies and acknowledges the work of Lee De Forest. Brief excerpts from the August 1926 exhibition follow. Clips are then shown from a number of Warner Brothers features, four from the 1920s, the remainder from 1946/47.
1946-09-07 | en