Mein Wunschland
Genres
Overview
Details
Budget
$0
Revenue
$0
Runtime
11 min
Release Date
1960-01-01
Status
Released
Original Language
German
Vote Count
0
Vote Average
0
7.1
The Arrival of a Train at La Ciotat
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
1896-06-30 | fr
7.0
Land Without Bread
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
1933-12-01 | es
0.0
Britain's Holocaust Survivors
They experienced perhaps the greatest crimes against humanity the world has ever seen. Yet what do we know about the Holocaust survivors who made Britain their home? Britain's Holocaust Survivors takes a unique approach to recording the experiences of the last generation to have living memories of the Holocaust. The film takes viewers into the homes of a small group of extraordinary survivors, telling their stories with sensitivity, humour and compassion. A compelling cast of characters are revealed as they gradually reveal the horror of their past and how those experiences have shaped their lives.
2013-01-27 | en
6.9
Olympia: Part One – Festival of the Nations
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
1938-04-21 | de
6.7
Olympia: Part Two – Festival of Beauty
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
1938-06-02 | de
6.7
Workers Leaving the Lumière Factory
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
1895-03-22 | fr
0.0
Weiss ist die Farbe der Verlierer
Short film against the oppression of women. At first, differences in education are presented and then how the relationship between women and men looks like in the professional world.
1974-01-01 | de
8.2
Night and Fog
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
1959-04-27 | fr
5.8
Rocky Jumped a Park Bench
A location tour of the Rocky filming locations in Philadelphia.
2008-04-12 | en
0.0
Zapatista Women
April 1994 in the Lacandona Jungle, Chiapas, México. The Zapatista women talk about the living conditions of Mexican indigenous populations and the life of peasant women. They explain the reasons for their struggle and their uprising.
1995-01-01 | es
0.0
Deep Sky
Explores the $10 billion JWST's engineering and construction process, historic Dec. 25, 2021 launch, and the release of its first full-color, galaxy-sprinkled images on July 12, 2022 witnessed by the entire planet.
2023-12-12 | en
6.0
Prisoners of War
This haunting film comprises of footage shot during WWI from opposite sides of the conflict: Czarist Russia and the Austro-Hungarian empire. The filmmakers tinted the material with sensual colors from sepia to red, blue, and purple and slowed the footage to analyze the material. The total absence of commentary renders the material eloquent and disturbing. - MoMA
1995-01-01 | it
5.2
Arabian Coffee
'Coffea arábiga' was sponsored as a propaganda documentary to show how to sow coffee around Havana. In fact, Guillén Landrián made a film critical of Castro, exhibited but banned as soon as the coffee plan collapsed.
1968-01-01 | es
6.4
I'm Going to Santiago
This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.
1964-01-01 | es
0.0
People, Years, Life
Using images shot in Russia and Armenia from World War I to the 1930s and retrieved from a Soviet film archive, Gianikian and Ricci Lucchi constructed a meditative film about the status of Armenians as a people without a state. Inspired by the diary of Gianikian’s father, People, Years, Life uses rare footage depicting the region’s major historic events: the end of Tsarist Russia, violence in the Caucasus during World War I, the 1918 Armenian exodus from Azerbaijan. Gianikian and Ricci Lucchi’s treatment of the material manipulates the speed of the images, adds color and music, and magnifies various parts of the image, so that the movement of bodies across the frame begins to carry the weight of exile, mourning, dispossession.
1990-01-01 | en
5.0
Ghiro ghiro tondo
Inspired by their beloved Dolomite area in Northeast Italy, a battle theater in World Wars I and II, Gianikian and Ricci Lucchi continue to explore issues of war and peace in their most recent production. The film uses shots of ordinary toys found in the area, many missing limbs and other pieces, to represent, in both direct and oblique ways, the historical period between Fascism, Nazism, and the postwar era.
2007-11-24 | en
0.0
Criminal Animals
In this filmic comment on Fascist ideology - which uses footage from the recently discovered archives of Luca Comerio - invisible hands push captive animals to fight among themselves.
1994-01-01 | en
5.4
Kurosawa's Way
Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.
2011-05-13 | fr
5.0
Kathryn Bigelow: Hollywood Adrenaline
For more than 40 years Kathryn Bigelow has been making films that explore male violence. With movies like Blue Steel, Point Break, The Hurt Locker and Zero Dark Thirty, the Oscar winning American filmmaker has impressed with hard-hitting moviemaking that holds a mirror up to contemporary America and the world.
2023-09-28 | fr
5.8
Wigstock: The Movie
The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…
1987-01-01 | en