Disneyland Dream
Genres
Overview
A home movie made by Robbins and Meg Barstow that documents their family's free trip to the newly opened Disneyland. The one-week trip was a prize that they won in a contest sponsored by Scotch tape.
Details
Budget
$0
Revenue
$0
Runtime
35 min
Release Date
1956-07-31
Status
Released
Original Language
English
Vote Count
9
Vote Average
5.9
Daniel Barstow
himself
David Barstow
Himself
Mary Barstow
Herself
Meg Barstow
Herself
Robbins Barstow
Himself
Steve Martin
5.0
Jack L. Warner: The Last Mogul
An insider's account of Jack Warner, a founding father of the American film industry. This feature length documentary provides the rags to riches story of the man whose studio - Warner Bros - created many of Hollywood's most classic films. Includes extensive interviews with family members and friends, film clips, rare home movies and unique location footage.
1993-05-14 | en
0.0
The Voice of Hollywood
The Voice of Hollywood hosted by Pat O'Brien. Features Joan Blondell, Robert Montgomery, Elissa Landi, Warner Baxter, and the coronation of Mary Pickford as "Queen of the Arts." It is not currently clear which number in the series this is because it isn't on IMDB or any listing).
1930-08-30 | en
5.7
Chaplin Today: 'The Kid'
This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
2003-03-02 | en
7.3
Daybreak Express
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
1953-01-01 | en
0.0
Post Traumatic: An American Nightmare
This thirty minute documentary features interviews with Giovinazzo's key contemporaries discussing the continued impact and influence of Combat Shock twenty-five years later.
2009-07-28 | en
0.0
Running Waters
A portrait of the daily life of Zé de Sabino, a fisherman who works and lives in the breathtaking village of Regência, Espirito Santo (located near the Rio Doce, which suffered one of the greatest environmental tragedy in Brazil's history). The vastness of man is a place suspended in time, bordered by sky, land, river, and sea.
2016-02-12 | pt
5.3
Scum Manifesto
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
1976-01-01 | fr
0.0
A Day at Disneyland 1991
This 1991 remake of this video that was released in 1982 with the then-current voice cast consisting of Wayne Allwine (Mickey Mouse), Russi Taylor (Minnie Mouse), Tony Anselmo (Donald Duck), and Bill Farmer (Goofy and Pluto). Clips from more recently added attractions, such as Splash Mountain, Star Tours, Mickey's Toontown, and Fantasmic! are also shown.
1991-04-25 | en
5.9
Larisa
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
1980-10-01 | ru
7.5
Brasilia, Contradictions of a New City
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
1968-01-01 | pt
7.2
The Endless Summer
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
1966-06-15 | en
7.0
Land Without Bread
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
1933-12-01 | es
2.5
Where Do You Stand Now, João Pedro Rodrigues?
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
2016-11-28 | pt
0.0
Seeing El Salvador
This Traveltalk series short starts in San Salvador, El Salvador's capital, emphasizing the Spanish architectural heritage. We then go to the Izalco Volcano, which was created in 1770 by an eruption of the Santa Ana Volcano. The focus then shifts to the country's agriculture. The two main products are coffee and henequen, a plant with tough, fibrous leaves used to make rope, baskets, and other products.
1945-03-30 | en
0.0
Historic Maryland
This Traveltalk series short highlights such Maryland destinations as Baltimore, Johns Hopkins, Annapolis, and Fort McHenry.
1941-12-27 | en
0.0
Bad Boy of Bonsai
Bad Boy of Bonsai is an experimental art-house documentary that focuses on Guy Guidry, a Louisiana local, and his passion for bonsai.
2022-05-16 | en
0.0
Water
A Tibetan woman collects water near her family's yak farm and brings it back home 80-pounds full, in a ritual that takes her an hour to complete. A selection from Peabody Award-winning documentarian Bari Pearlman’s Nangchen Shorts series.
2011-06-25 | bo
0.0
In Memory
One year after the death of Simone de Beauvoir (14 april 1986) Delphine Seyrig pays homage by visiting her grave. which she finds still covered with flowers and letters from all over the world.
1987-04-14 | fr
6.7
Workers Leaving the Lumière Factory
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
1895-03-22 | fr
7.1
The Arrival of a Train at La Ciotat
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
1896-06-30 | fr