The Memory of the Heart

In the middle school, the pawn Paul Watrin spends his sad life, in the middle of a people of cheeky and mocking kids for whom he is the enemy, the whipping boy. Only Pierre Launay, a studious child with a pitiful heart, defends the old pawn and his son against the incessant attacks of this cloud of pranksters and his affection consoles the poor man for his daily miseries. However, a drama unfolds in the child's family.

1911-01-01 | fr

When Love Kills

After a harsh argument between her and her father, a young girl with artistic talent leaves home for a new life.

1913-03-31 | sv

How They Lie

1917-07-10 | ru

One-Eyed Likho

The plot is the embodiment of everyday belief about the impact of a certain evil force on a person. The action develops in a peasant environment.

1916-05-25 | ru

The Triplets of Belleville

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

2003-06-11 | fr

So This Is Love

So This is Love? was another early Frank Capra production for fledgling Columbia Pictures. The hero, dress designer Jerry McGuire (William Collier Jr.), is tired of being considered a wimp. After business hours, Jerry secretly takes boxing lessons, enabling him to knock the stuffings out of his burly rival Spike Mullins (Johnnie Walker). Jerry's newfound pugilistic skills wins him the affections of store clerk Hilda Jensen (Shirley Mason), who's just car-razy about "cave men." Filmed in a fast three weeks, So This is Love? was completed before Frank Capra's Matinee Idol but released afterward. Leading lady Shirley Mason was the sister of Viola Dana, who starred in Capra's initial Columbia effort, That Certain Thing.

1928-02-06 | en

People on Sunday

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

1930-02-04 | de

Under the Lantern

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.

1928-08-08 | de

Two Memories

Henry and Marion have a lover's quarrel and part in anger. They do not reconcile, and ten years pass without contact. Marion becomes a society girl and spends her time at parties with her friends. Henry has become very ill and wishes to see Marion one more time. He writes asking her to visit. When she recieves the note, she laughs and tosses it on the floor, but, later, on a whim, decides to take all her drunken friends with her to visit him. When they arrive, Marion finds Henry dead, clutching her portrait in his hand. She sends her friends away and falls to her knees in remorse. Mary Pickford's debut!

1909-05-23 | en

Children's Souls Accuse You

Children's Souls Accuse You is a 1927 German silent drama film directed by Curtis Bernhardt and starring Albert Steinrück, Nathalie Lissenko and Walter Rilla. It was made with an anti-abortion theme.

1927-03-24 | xx

Robin Hood

Robin Hood is a 1912 film made by Eclair Studios when it and many other early film studios in America's first motion picture industry were based in Fort Lee, New Jersey at the beginning of the 20th century. The movie's costumes feature enormous versions of the familiar hats of Robin and his merry men, and uses the unusual effect of momentarily superimposing images different animals over each character to emphasize their good or evil qualities. The film was directed by Étienne Arnaud and Herbert Blaché, and written by Eustace Hale Ball. A restored copy of the 30-minute film exists and was exhibited in 2006 at the Museum of Modern Art in New York City.

1912-08-21 | en

The Moth and the Flame

A bride who discovers during her wedding ceremony that her husband-to-be has fathered a child out of wedlock with another woman.

1915-05-13 | en

The Birth of a Nation

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

1915-02-08 | en

Deserted at the Altar

Anna Moore, a poor orphaned country girl, and her little brother, Tommy, live with hypocritical Squire Simpson, who conspires with his son to acquire the inheritance due the girl.

1922-12-01 | en

The Bride's Play

A sweet-natured young Irish woman is courted by a romantic poet and a local country gentleman. Which man will she choose?

1922-01-22 | xx

Fickle Women

1920-08-09 | en

Name the Man

Victor Stowell, son of the deemster of the Isle of Man, is engaged to Fenella Stanley. He becomes involved in an intrigue with local girl Bessie Collister, becomes the deemster on his father's death, and is forced to try Bessie for killing her illegitimate child.

1924-01-27 | en

Limite

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

1931-05-17 | pt

The Joyless Street

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.

1925-03-01 | de

L'Âge d'or

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

1930-11-28 | fr