Rock Heart Fire

Shot mostly at Uluru, the rock in the heart of Australia. The extreme heat damaged the emulsion of the film which is subsequently incised by the filmmaker. A ceremonial death and rebirth. The soundtrack was made by the Orchestra of Skin and Bone comprising of Ollie Olsen and John Murphy. The aborigines were from Narwietooma Station. 16mm.

1985-01-01 | en

Thaumaturgic Eye

Scientists demonstrate the wonders of magnified objects.

1939-08-11 | cs

One Second in Montreal

A silent succession of black-and-white photographs of the city of Montreal.

1969-09-25 | en

Movement Studies in Paris

A study of traffic movement in Paris.

1928-01-01 | fr

Day Tripper

A woman walks, loves, eats and washes herself, dances. It all takes place in a bedroom. At times flashbacks, or visualizations of previous or following scenes. Unless her life in the bedroom becomes an obsession, she lives through the other scenes.

1966-01-01 | fr

Homeo

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.

1967-11-15 | en

Chromo sud

One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club

1968-01-01 | en

Two Pence Magic

Two Penny Magic (Zweigroschenzauber) starting off with a little magic trick. It then presents an array of images from swimmers, bicyclers, murderers, airplanes in flight, boxers, lovers, runners, becoming in the end a collection of images in a magazine.

1929-10-11 | de

The Old Place

Essay on the influence of arts at the end of the 20th century produced by the Museum of Modern Art.

2000-05-19 | fr

A Trip Down Memory Lane

A Trip Down Memory Lane is a 1965 experimental collage film by Arthur Lipsett, created by editing together images and sound clips from over fifty years of newsreel footage. The film combines footage from a beauty contest, religious procession, failed airflight, automotive and science experiments, animal experimentation, skyscraper construction, military paraphernalia, John D. Rockefeller and scenes of leisure, Richard Nixon and scenes of war, blimps and hot air balloons, and a sword swallower. Lipsett envisioned his film as a kind of cinematic time capsule for future generations.

1966-08-28 | en

Flòr da Baixa

Flòr da Baixa is the story of a journey that starts from Lisbon, touches Rio de Janeiro, Marseille, Taranto, and returns to the Portuguese city. It is a film about absence, about something that is missing, always and everywhere: in one's own room as on sunny and distant beaches, in foreign neighborhoods as on old, familiar walls. It is the diary of two solitudes, of two parallel gazes that rest on places and bodies, waiting to find each other and recognize each other in the same gaze, finally seeing the same image from the window of the Flòr da Baixa

2006-11-15 | it

Rhythm

Intended as a publicity film for Chrysler, Rhythm uses rapid editing to speed up the assembly of a car, synchronizing it to African drum music. The sponsor was horrified by the music and suspicious of the way a worker was shown winking at the camera; although Rhythm won first prize at a New York advertising festival, it was disqualified because Chrysler had never given it a television screening. P. Adams Sitney wrote, “Although his reputation has been sustained by the invention of direct painting on film, Lye deserves equal credit as one of the great masters of montage.” And in Film Culture, Jonas Mekas said to Peter Kubelka, “Have you seen Len Lye’s 50-second automobile commercial? Nothing happens there…except that it’s filled with some kind of secret action of cinema.” - Harvard Film Archive

1957-01-01 | en

The Ghost Train

Special effects film with a train double exposed on the negative, creating a ghostly image.

1901-01-01 | en

Power

An insight into the lecture "How to rule the others" given by Mr. Slobodan Cirkovic 'Roko', a well-known Yugoslav experimentalist on telepathy and hypnosis.

1973-02-15 | sh

Scenari dal Toti-Verso

2013-06-23 | it

Lopez Street

In the eyes of a foreigner practically any street of Mexico City’s Centro Histórico holds potential for a film. Life on the street deserves more than just the natural condition of observer anyone could have, it demands an extra attention. In a 100-meter radius, the sociological exuberance of the events going on is simply impossible to ignore. The street is a mise en scène in itself.

2013-02-23 | es

Thoughts and Visions of a Severed Head

The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.

1991-01-01 | fr

Concrete Vache

Made for Milton Keynes Gallery's 10th anniversary using images from its archive and language from its press releases and catalogues.

2010-01-01 | en

Arquivos Kino-Pop

Cine-diaries about rock bands and personalities from the eighties from the archives of Edgar Pêra.

2019-05-14 | en

Coast of Death

Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.

2014-09-26 | gl