

Come Come Come Upward
Genres
Overview
In 1980s South Korea, two young nuns-in-training at the same monastery embark on very different journeys towards enlightenment.
Details
Budget
$0
Revenue
$0
Runtime
121 min
Release Date
1989-04-01
Status
Released
Original Language
Korean
Vote Count
13
Vote Average
6.9
Kang Soo-youn
Soon-nyeo
Jin Yeong-mi
Jin-sung
Yu In-chon
Hyun-jong
Han Ji-il
Park Hyun-woo
Jeon Moo-song
Monk
Yoon In-ja
Eun-seon
Yoon Yang-ha
Kim Se-jun
Student
Ahn Byeong-kyeong
Driver Song
Choi Jong-won
Sin Chung-sik
Kim Ae-kyung
Soon-nyeo's mother
Kim Bok-hee
Lee Jeong-ae
Chung Mi-kyung
Cho Hak-ja
Gwon Il-jeong
7.0
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5.0
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1957-01-31 | ko
6.0
An Artisan's Legacy: Tsunekazu Nishioka
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7.1
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6.5
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3.2
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8.0
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8.0
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2014-01-30 | sv
10.0
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7.0
From one gompa to another
1979-01-01 | fr
0.0
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Five sisters whose life conditions deteriorated after the death of the father and the mother was sentenced to death after her involvement in a murder in defense of her honor. Each of them grew up with painful memories that gave rise to feelings of hatred and hatred for this world in them, and hostility to all men was rooted in their souls and made them desire revenge and control.
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0.0
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0.0
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0.0
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The film is about a Swiss filmmaker (S.) who is working on a documentary film on the theme of loneliness in New York. It mixes documentary and fiction in an entertaining way, showing all the flourishing industry that is aimed at lonely people, the numerous organizations that offer their services for singles and those seeking partners. S. explores it all with journalist thoroughness. Initially distanced, but as time goes by he finds himself more and more involved personally. He cannot get a woman, he saw on the flight to New York, out of his mind. All that he knows is her name, Michéle, and that she studies music in Boston. His telephone quest does not bring anything and he decides to go to Boston. There he visits all the music schools and puts up posters in the streets. Finally Michéle gets in touch. S. falls in love. The film story meets finally his personal situation. Distance is no longer possible.
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0.0
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Shot with remnants of film negatives from various Brazilian productions, the film tells the story of a girl who, upon entering an old cinema in the center of Rio de Janeiro, finds herself trapped in a complex labyrinth of mirrors, visions, and spirits.
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After a recent breakup, social media obsessed Maria faces her deepest fear - spending the night alone. What will she do to pass the time? Not even she knows. Through facing her ex-boyfriend, celebrating her birthday alone, and a chance encounter with a delivery driver, she learns a lesson in what it means to choose yourself.
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Gema
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