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Sequel to the "The Waterfowl People". The author interprets the kinship, linguistic and cultural relationships of the Finno-Ugric peoples. Finns, Vepsians, Votes, Setos, Erzya-Mordvinians, Mansi, Hungarians, Sami, Nganasans, and Estonians appear in the film. The film was shot in 1977 on location in northern Finland, Sapmi, Vepsia, Votia, Mordovia, Khantia-Mansia, Hungary, the Taymyr Peninsula, the Setomaa region in Estonia, and on the Estonian islands of Saaremaa and Muhu. Footage was also shot in 1970 in the Nenets Okrug. The second documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.
$0
$0
54 min
1978-02-04
Released
Estonian
2
7.5
Narrator (voice)
8.2
One of the most significant cases in European archaeology is the grave of the shaman woman of Bad Dürrenberg, a key finding of the last hunter-gatherer groups. From a time when there were no written records, this site was first researched by the Nazis, who saw a physically strong male warrior from an ‘original Aryan race’ in the buried person. It was, in fact, the most powerful woman of her time. The latest research shows that she was dark-skinned, had physical deformities, and was a spiritual leader. The documentary – using high-end CGI and motion capture – compares the researchers of the Nazi era, who misrepresented and instrumentalised their findings, to today’s researchers, who meticulously compile findings and evidence, and use cross- disciplinary methods to examine and evaluate them. It also substantiates the theory of the powerful roles women played in prehistoric times. The story of this woman, buried with a baby in her arms, still fascinates us 9,000 years after her death.
2024-06-22 | de
0.0
Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.
1969-01-01 | en
0.0
Women from three separate Ju/'hoan bands have gathered at a mangetti grove at !O to play an intense game in which under-tones of social and personal tensions become apparent.
1970-01-01 | en
10.0
As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this `Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, in their perception of their society and also about marriage.
1982-01-01 | en
0.0
Haji Omar and his three sons belong to the Lakankhel, a Pashtoon tribal group in northeastern Afghanistan. The film focuses on his family: Haji Omar, the patriarch; Anwar, the eldest, his father's favorite, a pastoralist and expert horseman; Jannat Gul, cultivator and ambitious rebel; and Ismail, the youngest, attending school with a view to a job as a government official.
1978-02-14 | en
0.0
The director’s grandparents Wilhelmine, an Austrian Catholic, and Bernard, a Jewish Czechoslovakian communist, have always been part of her life, although she never met them in person. Her uncle Hermann lives in what was once their house, with their furniture, Marx and Lenin busts, Hanukkah lamp, countless photos, letters and oil paintings. Through the film Judith Schein asks whether it is possible for a house and its interiors to narrate History.
2019-04-28 | de
0.0
1952-01-01 | pt
0.0
A celebration of the diversity of Ethiopia's culture and wildlife. It journeys from North to South - spanning mountains, rainforests and the hottest place on Earth. It documents Muslims mixing with Christians as they have for over a millennia and the 'honey people' of the forest, filmed here for the first time. Visually stunning and unsentimental, this is Ethiopia as you've never seen it before.
2009-09-14 | en
10.0
Séfar (in Arabic: سيفار) is an ancient city in the heart of the Tassili n'Ajjer mountain range in Algeria, more than 2,400 km south of Algiers and very close to the Libyan border. Séfar is the largest troglodyte city in the world, with several thousand fossilized houses. Very few travelers go there given its geographical remoteness and especially because of the difficulties of access to the site. The site is full of several paintings, some of which date back more than 12,000 years, mostly depicting animals and scenes of hunting or daily life which testify that this hostile place has not always been an inhabited desert. Local superstition suggests that the site is inhabited by djins, no doubt in connection with the strange paintings found on the site.
2021-11-20 | fr
7.6
The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
2005-09-14 | en
0.0
John Bishop and Naomi Bishop present a portrait a peculiar life style of the Himalayan indigenous Sherpa people in their documentary , the Himalayan Herders. The 76 minutes long film is about the diverse culture and life style of herders community near Mt. Everest region of Nepal.The film was made in 1997 as a part of Case Studies in Cultural Anthropology Series.
1997-06-11 | en
5.8
An experimental ethnographic documentary that criticizes the colonizer view of anthropology.
1972-01-01 | en
0.0
"Heart of the Country" is the story of Shinichi Yasutomo, the extraordinary principal of a rural elementary school in Kanayama, central Hokkaido, Northern Japan. Yasutomo is a man driven by his vision for learning and his passion for educating the heart as well as the mind. The film follows Yasutomo, his teachers and staff, students and their families over the course of one entire school year. The film is also the story of the families of Kanayama. Parents and elders of this once impoverished town embrace Yasutomo's vision, but not without wary glances back to the past. This small community, bound together by love for its children, is also defined by its journey through the cultural upheavals of postwar Japan.
1997-05-11 | en
5.6
Huelva, Spain, an isolated region lost in time. The grass, the sand and the sky are the same that those foreigners saw in the spring of 1895, when they crossed the sea from a distant country to mark the unspoiled terrain and extract its wealth, when the tower was new, when people could climb to the top of the highest dune and imagine that the city of Tartessos was still there, in the distance, almost invisible in the morning brume.
2018-01-19 | es
6.8
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
2006-09-22 | en
7.3
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and North America. The film follows metal fan and anthropologist Sam Dunn on a whirlwind journey through Asia, South America and the Middle East as he explores the underbelly of the world's emerging extreme music scenes; from Indonesian death metal to Chinese black metal to Iranian thrash metal. GLOBAL METAL reveals a worldwide community of metalheads who aren't just absorbing metal from the West - they're transforming it - creating a new form of cultural expression in societies dominated by conflict, corruption and mass-consumerism.
2008-06-20 | en
0.0
"Louceiras" portraits the daily life of the last ceramists of the Brazilian indigenous ethnic group Kariri-Xocó, who earn a living from clay. They inherit a tradition passed from mother to daughter concerning the art of choosing, manufacturing and cooking clay pots and pans. Living in a village by the São Francisco river in the city of Porto Real do Colégio(AL), they share with their people the secret of medicinal herbs, the Toré dance, the labour songs (rojão) and the secret of Ouricuri.
| pt
6.0
IN THE LAND OF GIANT PYGMIES, a diary of Aurelio Rossi's 1925 trek into the immense Belgian Congo, preserves a long-gone-Colonial-era wonder at natural resources, "primitive" tribes, customs and costumes in Europe's cast African possessions, and implies that the "dark continent" could benefit from the "civilizing" influences of home.
1925-01-01 | en
7.0
A documentary about the histoy and linguistic ties of the Finno-Ugric, and Samoyedic peoples. Speakers of the Kamassian, Nenets, Khanty, Komi, Mari, and Karelian languages were filmed in their everyday settings in the late 1960s and early 1970s. The footage was shot in Altai Krai, the Nenets Okrug, Khantia-Mansia, Uzbekistan, the Komi Republic, Mari el, Karelia, and Estonia. The first documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum (1970 - 1997)" series.
1972-10-19 | et
0.0
The film follows Ongka's struggles to accumulate huge numbers of pigs and other items of value to present at a Moka ceremony to another tribe.
1974-12-11 | en