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Chelsea Girls

September 1966 •English

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Transfer

January 1966 •English

A psychiatrist and his needy patient discuss their relationship in a snow-covered field.

Weatherman '69

November 1989 •English

Featuring a cast that includes Sonic Youth's Kim Gordon and Thurston Moore, Mike Watt of the legendary hardcore band Minutemen, and Pettibon himself, this deadpan narrative pays dubious homage to the 1960's radical underground. In this crudely rendered home video of a commune of stoned revolutionaries, the cameras are hand-held, the edits in-camera, and the dialogue is wryly on-target. Pettibon's band of outsiders reenacts a countercultural moment defined by rock music, drugs, and ideological paradox — and in so doing, captures their own late-80's West Coast grunge milieu as well.

Man Yuk: A Portrait of Maggie Cheung

January 1997 •

Experimental short made by Olivier Assayas for Fondation of Contemporary Art and starring Maggie Cheung.

Carnet de identidad

May 1970 •Spanish

Untitled (Pink Dot)

January 2007 •Japanese

In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.

Twilight

May 2021 •English

Feeling lost, a holidayer takes a vacation, only to discover a world that is as banal as it is hyper-real. A found-footage essay film. A home-movie. A music video. An experimental documentary about the fantasy of air travel. Taking a tour of the global centres of accumulation - New York, Dubai, Burning Man - Twilight documents the unreal, the mundane and the spectre of ecological collapse.

The Indispensable Practice of Vagueness

October 2014 •Portuguese

By the director: "Ar.Co embodies each person’s geography, it escapes normalisation. Each individual’s experience is his own. This film is my experience, our experience. Pieced together from the school’s archive, from recordings of classes by Manuel Castro Caldas and from conversations at home."

Moving Memories

Invalid date •Portuguese

On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.

Thlípsi

December 2018 •English

A man who is paranoid and deluded by his own conspiracies that someone out there is after him must come to terms with the root of his suffering.

Shoot Me

September 2013 •English

The Iranian filmmaker Narges Kalhor, daughter of a former advisor of Ahmadinejad's, has been living in exile in Germany for four years. When she hears that the fellow Iranian rapper Shahin Najafi, who is also living in exile in Germany, faces death threats and has to hide because of one of his songs, she doesn't hesitate and has to find him. On her search she encounters fear everywhere. Narges Kalhor has to face her inconvenient memories of suppression, hatred and anger for her past in Iran.

Something New to Die for

August 1993 •English

Portrait of The Church of the SubGenius in scratch, which means high speed cutting, media manipulation. Contains clips from the Arise, the Church's own film about itself (recrutment video), the SubGenius MTV productions, and TV interviews with sacred scribe Rev. Ivan Stang, intercut with a barrage of weird clips from movies and television.

Visions of Europe

May 2004 •English

Twenty-five films from twenty-five European countries by twenty-five European directors.

October in Madrid

January 1965 •French

Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)

Magritte or the Object Lesson

January 1960 •French

The surrealist painter René Magritte questions the objective reality and emphasizes the arbitrariness of the relationship between an object, its image and its name: the evocation of mystery consists of images of familiar things gathered or transformed in such a way that they no longer conform to our ideas, whether naive or wise.

A Film Inspired by Real Events

December 2019 •Turkish

Through the footage from his family's Handycam, the director creates a portrait of his family that is falling apart.

2 or 3 Things I Know About Her

March 1967 •French

As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.

Bitva o život

November 2000 •Czech

Blin Cat

July 2015 •Russian

A video essay about a conversation the director had with a friend about a particular picture of a cat sitting in front of a plate of blins.

The Day When...

January 1997 •French

Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.