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Prestonburg, KY is a small blue-collar town with hunting, fishing, coal mining, and two of the biggest names in online horror talk radio: Wes Vance and Aaron Frye (aka "The Creepy Kentuckian" and "Uncle Bill") The two self-proclaimed "redneck geeks" bonded at a young age while their weekends devouring horror films. They now use their extensive horror knowledge to record a weekly podcast on DEADPIT.com and have found a worldwide audience through their candid conversation, quick wit, and lots of swearing. What started as an outlet to express their love for horror films has evolved into an online industry with millions of followers and the ability to talk to their childhood heroes. But what happens when your childhood pursuits start to collide with your adult aspirations? Can Deadpit survive it's own success?
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95 min
2009-08-09
Released
English
3
5.8
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6.0
In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.
2014-06-20 | es
5.7
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7.2
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0.0
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Behind the scenes footage of I'm Dangerous Tonight. Footage shot by Stan Giesea and Eric H. Lasher
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7.3
A filmmaker's lifelong dream quickly becomes his worst nightmare when he attempts to make a low budget horror film about an aborted fetus that seeks revenge on its family.
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7.8
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0.0
The story of the cult horror empire through interviews with cast, crew, and horror icons such as Don Mancini, Brad Dourif, Jennifer Tilly, Catherine Hicks, Chris Sarandon, John Waters, Fiona Dourif, Perrey Reeves, Gerrit Graham, David Kirschner, and dozens more.
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6.5
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6.0
Documentary tracing the rise of the 'slasher' movie.
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6.8
This historical and critical look at slasher films, which includes dozens of clips, begins with Halloween, Friday the 13th, and Prom Night. The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, Nightmare on Elm Street revives the genre. Jump to the late 90s, when Scream brings humor and TV stars into the mix.
2006-10-13 | en
0.0
During World War I, African-Americans worked on the railroad near Corbin, Kentucky. When whites returned from the war, there was conflict. Whites sought their former jobs and positions in the community. In 1919, a race riot occurred. Whites put the African-Americans on railroad cars and ran them out of town. In Trouble Behind, members of the Corbin community speak out on the issue. The filmmakers also interview former members of the Corbin, which at the time of filming had only one black family. Some Corbin residents express confusion as to why African-Americans don't move back. Others openly use racial epithets. Some young adults seem troubled by the racism, past and present. Others don't.
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6.7
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6.3
What do Josh Hutcherson, Steve Zahn, Josh Hopkins, Eddie Montgomery, Laura Bell Bundy and The Back Street Boys all have in common? Aside from making great movies and music, they all bow at the altar of Kentucky Basketball as members of Big Blue Nation!
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0.0
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5.0
Documentary about the making of the 1983 thriller "Cujo"
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0.0
A documentary on the making of Frank Henenlotter's Basket Case trilogy.
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7.5
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
1977-01-23 | en
6.6
An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.
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