Mit Licht schreiben - Photographein
Genres
Overview
A documentary on making cameras and photographic equipment, which turns into a philosophical visual essay on the art and nature of photography as it unfolds.
Details
Budget
$0
Revenue
$0
Runtime
39 min
Release Date
1967-06-14
Status
Released
Original Language
German
Vote Count
0
Vote Average
0
4.0
Christina Lindberg: The Original Eyepatch Wearing Butt Kicking Movie Babe
A look at the life and work of Christina Lindberg, the most famous Swedish model of the 1970s and star of exploitation cinema.
2015-10-02 | en
9.0
Martha: A Picture Story
In 1970s New York, photographer Martha Cooper captured some of the first images of graffiti at a time when the city had declared war on it. Decades later, Cooper has become an influential godmother to a global movement of street artists.
2019-11-28 | en
6.2
Through a Lens Darkly: Black Photographers and the Emergence of a People
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
2014-08-27 | en
6.7
Workers Leaving the Lumière Factory
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
1895-03-22 | fr
7.3
66 Months
Over a period of six years, director James Bluemel and producer Gordon Wilson followed epileptic alcoholic Nigel (37) from Oxford, England, who managed to slip through the net of the welfare system for 66 months. Self-mutilation, alcohol, and childlike delusions mean Nigel is a vulnerable man. In the words of his social worker, "Nigel has been abused financially, sexually, and emotionally for years." She's referring to the days when, while out "in the wild," a man named Robbie took Nigel under his wings. He was like a father to Nigel, while at the same time absolutely unfit for the role of caregiver, especially because he couldn't keep his hands to himself.
2011-01-12 | en
6.0
Vivement Truffaut
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
1985-07-12 | fr
0.0
Le Club: Claude Jade
2001-04-11 | fr
5.7
Chaplin Today: 'The Kid'
This documentary is featured on the two-disc Chaplin Collection DVD for "The Kid" (1921), released in 2004.
2003-03-02 | en
5.3
The James Dean Story
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
1957-08-13 | en
6.5
Monsieur Truffaut Meets Mr. Hitchcock
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.
1999-08-05 | en
0.0
Robin de Puy: Ik ben het allemaal zelf
2016-03-20 | nl
6.0
Time of memory
Short film about "Yuyanapaq", the photo exhibition of the armed conflict in Peru, at Casa Riva Agüero, Chorrillos, Lima-Peru.
2005-03-31 | es
0.0
Absence of Me
Hundreds of boxes left by the famous uruguayan musician and political activist Alfredo Zitarrosa (1936-1989) who run away the dictatorship in the 70s, have not been touched since his death 27 years ago. Now his wife and daughters are trying to save the memories, tapes, music and sound recordings that the boxes contain to the posterity.
2019-11-22 | es
0.0
Weegee's New York
The best known, "Weegee's New York" (1948), presents a surprisingly lyrical view of the city without a hint of crime or murder. Already this film gives evidence, here very restrained, of Weegee's interest in technical tricks: blur, speeded up or slowed-down film, a lens that makes the city's streets curve as if cars are driving over a rainbow. - The New York Times
1948-06-02 | en
8.0
Scars
We admire beauty; we recoil from bodies that are marred, disfigured, different. Didier Cros’ moving, intimate film forces us to question what underlies our notions of beauty as we join a talented photographer taking stunning portraits of several people with profound visible scars which have dictated certain elements of their lives but have not come to define their humanity. The subjects' perceptions of themselves are dynamic, unexpected, and even heartwarming. This is an unforgettable journey to be shared with the world.
2018-01-01 | fr
5.2
Cameramen at War
A tribute to the cameramen of the newsreel companies and the service film units, in the form of a compilation of film of the cameramen themselves, their training and some of their most dramatic film.
1943-01-01 | en
0.0
Jeff Wall: Retrospective
Jeff Wall is one of the most important and influential photographers working today. His work played a key role in establishing photography as a contemporary art form.
2007-05-08 | en
0.0
The Wave
The original classic on video, which introduces Gabrielle Roth's revolutionary system of moving meditation. Teaches how five core rhythms can teach, catalyze, and heal our entire being.
2005-04-12 | en
6.4
Here and Elsewhere
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
1976-09-15 | fr
6.3
Roundhay Garden Scene
The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
1888-10-14 | en