

Brighton Street Scene
Genres
Overview
Lost film from 1888, directed by William Friese-Greene.
Details
Budget
$0
Revenue
$0
Runtime
1 min
Release Date
1888-01-01
Status
Released
Original Language
English
Vote Count
7
Vote Average
3.6
0.0
Les Outils du Jeu
This non-narrative short film examines one of the great American icons: the Louisville Slugger baseball bat. The film was conceived by its co-directors, Marlon Johnson and Dennis Scholl, along with the Louisville Orchestra's conductor, Teddy Abrams, to be screened set to a live performance by the orchestra of Claude Debussy's "Jeux".
2017-02-25 | en
7.0
Cordobés 65
A brief portrait of famous and brave bullfighter Manuel Benítez el Corbobés; an account on still photos of his triumphs and failures.
1965-01-01 | es
7.9
Man with a Movie Camera
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
1929-05-12 | ru
0.0
Plant of Ford Motor Company - Antwerp
Short documentary on the Antwerp Ford Motor Company plant.
1948-01-01 | en
0.0
Sex Stars
Sex star gives an explosive behind the scenes view of the people who make sexual fantasies come true on the silver screen. Sex Stars is the first feature documentary made by Lech Kowalski.
1976-04-21 | en
2.0
Finlandia
A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.
1922-10-21 | fi
7.0
The Dawn of Sound: How Movies Learned to Talk
Film historians, and survivors from the nearly 30-year struggle to bring sound to motion pictures take the audience from the early failed attempts by scientists and inventors, to the triumph of the talkies.
2007-09-02 | en
0.0
La Gigue
"La Gigue" (Gaumont #590) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "Danse fantaisiste" (Gaumont #589).
1902-08-22 | fr
3.0
R. F. Outcault Making a Sketch of Buster and Tige
Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.
1904-03-12 | en
0.0
Choice Bouquets
A display of flower bouquets, rotating to show the Kinemacolour process.
1910-09-01 | en
7.1
Nanook of the North
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
1922-06-11 | en
5.5
Time in the Sun
Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.
1940-09-30 | en
6.0
In the Land of Giants and Pygmies
IN THE LAND OF GIANT PYGMIES, a diary of Aurelio Rossi's 1925 trek into the immense Belgian Congo, preserves a long-gone-Colonial-era wonder at natural resources, "primitive" tribes, customs and costumes in Europe's cast African possessions, and implies that the "dark continent" could benefit from the "civilizing" influences of home.
1925-01-01 | en
0.0
Street Games
Several days in the lives, and profiles of, the owners and players of the open air street chess tables in downtown San Francisco. An informative and insightful portrait of a freely public, yet effectively anonymous, subculture: a unique and colorful patch of eccentric americana in the urban quilt of an international city. —Anonymous
| en
5.2
Carmencita
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
1894-03-14 | xx
4.0
Ventanas
2015-12-01 | es
0.0
A Sociedade Anonyma Fábrica Votorantim
Produced in 1922, this 9-part silent documentary is an important document of the beginnings of industrialization in Brazil and the conditions of workers at the time.
1922-07-02 | pt
6.7
Admiral Cigarette
Late 1800s cigarette advertisement produced by Thomas Edison Manufacturing.
1897-08-01 | en
5.5
Days of Thrills and Laughter
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
1961-03-21 | en
6.2
God Is a Woman
In 1975 French Oscar-winning documentary filmmaker Pierre Dominique Gaisseau traveled to Panama to make a film on the indigenous island-dwelling Kuna people. Accompanied by his wife and their daughter, Gaisseau lived with the Kuna for a year, gaining their trust and filming their most intimate ceremonies. He promised to share the resulting film with the community, but that never happened. Fifty years later, the Kunas are still waiting to discover “their” film, now a legend passed down from the elders to the new generation. One day, a hidden copy is found in Paris…While uncovering this fascinating story with humility and warmth, Swiss-Panamanian filmmaker Andrés Peyrot succeeds in capturing a true sense of culture and place. The result is simultaneously a cautionary tale raising questions around how and why documentaries are made and for whom, and a testament to the power of what it means to see yourself on the big screen.
2024-04-03 | fr