Half
Genres
Overview
Working at a transgender bar, Min-a is a female with male genitals. When her colleague is assaulted by a male customer, she steps in to help, only to accidentally kill the assaulter. At the court, Min-a insists that she had no choice ? she had to protect her colleague - but the situation is not favorable to her. Taking advantage of her sexual identity, the prosecutor drives the case as if the murder were a result out of jealousy, and Min-a’s own lawyer does not pay attention to her situation. Not until Min-a is placed in a men’s jail and is seized with terror do the human rights issues for transgender people emerge. Min-a is finally transferred to a prison for females, but still she suffers from misunderstanding. Presenting the transgender human rights issues as a court drama, this film tries to correct the myriad misunderstandings toward transgender people.
Details
Budget
$0
Revenue
$0
Runtime
96 min
Release Date
2016-01-21
Status
Released
Original Language
Korean
Vote Count
1
Vote Average
5
Ahn Yong-jun
Lee Min-soo/Lee Min-ah
Jung You-seok
Kim Gi-joo
Moon Se-yoon
Pink
Song Young-gyu
Big sister Wang
Jin Hye-Kyung
Yoo-ri
Kim Min-seo
Se-hee
Im So-mi
Pildo Woman
Kim Yeon-soo
Room Salon Girl 1
7.0
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1995-10-13 | en
7.0
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1985-10-01 | en
6.9
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1996-12-18 | de
6.9
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2006-03-01 | bs
5.9
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2002-10-25 | en
6.8
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2004-09-02 | de
6.4
Longing
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2006-02-15 | de
6.2
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1988-05-04 | en
4.6
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Mother rules the house with an iron hand and has such power over her daughters that they see themselves as becoming old unmarried, maids. Jodie has feelings for the local doctor, a man much older than her, for which her mother strongly disapproves. Beth finds a relationship with a male stripper in Bristol, but sees nothing in the future with Mother around. While both girls would like to be rid of Mother, nothing happens until Jodie sees images of H. R. Armstrong, the man who put the town on the map by dispatching his un-loving wife
1994-04-29 | en
6.5
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2014-01-21 | es
5.4
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2013-11-15 | en
4.8
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2015-04-01 | es
5.8
Glue
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2016-09-15 | it
5.8
Seven Women, Seven Sins
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
1986-04-19 | en
5.9
Unicorn Store
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2017-09-11 | en
5.2
RosaTigre
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2000-11-27 | it
5.0
In Seventh Heaven
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2013-06-12 | fr
7.5
Having Our Say: The Delany Sisters' First 100 Years
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1999-04-18 | en
6.8
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2022-07-14 | ru
0.0
A Budding Heart
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2012-02-07 | fr