Clear years
Genres
Overview
I wasn’t told. I wasn’t told it would be so difficult to live together. To keep a family together. To maintain love and happiness. I wasn’t told, and if someone had told me I wouldn’t have listened. I chose to live with my camera in my hand, filming the trajectory of feelings, from the golden age to the lost paradise, from being born to being reborn.
Details
Budget
$0
Revenue
$0
Runtime
76 min
Release Date
2015-11-20
Status
Released
Original Language
Portuguese
Vote Count
0
Vote Average
0
Frédéric Guillaume
6.3
Birth of a Nation
Filmmaker Jonas Mekas films 160 underground film people over four decades.
1997-08-06 | en
0.0
Hotel Diaries
Made over six years in the hotels of six different countries, Hotel Diaries charts the 'War on Terror' era of Bush and Blair through a seven-part series of video recordings that relate personal experiences to the ongoing conflicts in Afghanistan, Iraq and Israel/Palestine. In these works, which play upon chance and coincidence, hotel rooms are employed as 'found' film sets, where architecture, furnishing and decoration become the means by which the filmmaker’s small adventures are linked to major world events.
2007-10-20 | en
0.0
Ventana en Carrer de Badajoz
Sara and Alberto spend their days at home. They look out the window and watch: spring is approaching and the sun is setting later and later. Alberto entertains himself by playing with the light, the shadows and the nooks and crannies they leave on the living room. Sara goes out on the balcony in the evenings and examines the neighborhood with her camera. When they are in bed, they talk about what worries them. About job expectations. About being creative and why keep trying, if someone else has done it before you. About living in confinement, but at the same time, realizing that things haven't changed as much as they seem.
2021-09-05 | es
0.0
beer cans under my bed
This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.
2024-03-08 | en
7.5
Diaries, Notes, and Sketches
An epic portrait of the New York avant-garde art scene of the 60s.
2013-11-23 | en
7.7
As I Was Moving Ahead, Occasionally I Saw Brief Glimpses of Beauty
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
2000-11-05 | en
5.5
In the Bathtub of the World
On January 1st, 1999, Caveh Zahedi started a one-year video diary. The idea was to shoot one minute each day. This is the result.
2001-04-29 | en
0.0
Mathilde
An old man comes across a fascinating archive, then meets a woman who introduces him to the life of a banker, patron and philanthropist. A moving essay that is part documentary, part film diary.
1985-01-01 | fr
8.5
Werner We Love You
When Werner Herzog was still a child, his father was beaten to death before his eyes. His mother was overwhelmed with his upbringing and thereupon shipped him off to one of the toughest youth welfare institutions in Freistatt. This was followed by a career as a bouncer in the city's most notorious music club and an attempt to start a family. Today, the 77-year-old from Bielefeld lives with his dog Lucky in a lonely house in the country. Despite adverse living conditions, he has survived in his own unique and inimitable way.
2017-10-06 | de
0.0
My Son's Wedding to My Sister-in-Law
A short documentary by Jim McBride.
2009-04-10 | en
7.0
Lost, Lost, Lost
Jonas Mekas adjusts to a life in exile in New York in his autobiographical film, shot between 1949 and 1963.
1976-09-14 | en
5.2
Homeo
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
1967-11-15 | en
8.2
He Stands in a Desert Counting the Seconds of His Life
A film collage tracing the story of the lives, loves, and deaths within the artistic community surrounding Jonas Mekas.
1986-02-22 | en
6.0
La deuxième femme
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.
2008-11-30 | fr
0.0
Return to Khodorciur—Armenian Diary
Raphael, Yervant Gianikian's father, survived the Armenian genocide in 1915 in Eastern Turkey. In April 1988, while living in Venice, he sat for his son's camera and read an excerpt from his memoirs, translated from Armenian into Italian.
1986-01-01 | it
5.8
Looking for Lennon
Documentary exploring the truth behind the legend of John Lennon.
2018-05-04 | en
0.0
VEREDA
The day with the sky neither too blue nor too grey. With a hint of red. The train crowded and the backpacks between the feet. The loves on every corner, the ones we pretend not to see.
2025-01-22 | pt
0.0
Always/Never (Together Forever)
An unhinged, diaristic examination of devastating friendship breakups.
| en
0.0
June
A letter of love to my past self who discovered himself.
2024-12-31 | en
5.8
Chromo sud
One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated 'diary films.' Like the contemporaneous films by O'Leary's more famous friend Pierre Clementi, they trippily document the drug-drenched hedonism of that era's dandies. O'Leary worked with an intoxicating style that foregrounded rapid and even subliminal cutting, dense layering of superimposed images and a spontaneous notebook type shooting style. Yet even if much of O'Leary's material was initially 'diaristic,' depicting the friends, lovers, and places that he encountered in his private life, the metamorphoses it underwent during editing transformed it into a series of ambiguously fictionalized, sometimes darkly sexual fantasias. - Experimental Film Club
1968-01-01 | en