
Buñuel: Atheist Thanks to God
Genres
Overview
Documentary featuring interviews with several of legendary Spanish director Luis Buñuel’s close friends and collaborators.
Details
Budget
$0
Revenue
$0
Runtime
32 min
Release Date
2005-11-14
Status
Released
Original Language
French
Vote Count
3
Vote Average
5.5
Jean-Robert Armogathe
Self
Jean-Claude Carrière
Self
Jean Collet
Self
Laurent Terzieff
Self
Bernard Verley
Self
6.0
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5.0
La Rose et le Barrage
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1963-01-01 | fr
6.0
The Dinosaur and the Baby
An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)
1967-03-15 | fr
7.2
Gena Rowlands: A Life on Film
An intimate portrait of the superb actress Gena Rowlands, icon of independent cinema. Together with her husband, legendary director John Cassavetes (1929-89), she lived an unusual life beyond the dream factory, a life in which reality and fiction were so perfectly intertwined that it made possible films that still today seem incredibly real.
2019-06-05 | de
7.0
Land Without Bread
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
1933-12-01 | es
7.0
If I Had Four Dromedaries
Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries stages a probing, at times agitated, search for the meanings of the photographic image, in the form of an extended voiceover conversation and debate between the "amateur photographer" credited with the images and two of his colleagues. Anticipating later writings by Roland Barthes and Susan Sontag (who professed her admiration for the film) If I Had Four Dromedaries reveals Marker's instinctual understanding of the secret rapport between still and moving image.
1966-11-01 | fr
7.4
Legends of the Knight
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6.0
Beauty Factory
From oratory classes to operating room, Beauty Factory follows five girls for four months as they compete for the coveted Miss Venezuela crown; revealing the process that has won Venezuela more international beauty pageants than any other country.
2014-02-20 | en
7.0
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2014-04-04 | en
7.0
Fajr
In the Moroccan desert night dilutes forms and silence slides through sand. Dawn starts then to draw silhouettes of dunes while motionless figures punctuate landscape. From night´s abstraction, light returns its dimension to space and their volume to bodies. Stillness concentrates gaze and duration densify it. The adhan -muslim call to pray- sounds and immobility, that was condensing, begins to irradiate. And now the bodies are those which dissolves into the desert.
2019-04-27 | ar
7.3
Daybreak Express
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
1953-01-01 | en
5.3
Scum Manifesto
Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
1976-01-01 | fr
6.0
The Sixth Side of the Pentagon
On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.
1968-08-26 | fr
6.1
Hakob Hovnatanyan
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1967-01-01 | hy
0.0
La Cocotte d'azur
A short film made with the film end rolls of 'Du côté de la côte'.
1958-01-01 | fr
6.7
Workers Leaving the Lumière Factory
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
1895-03-22 | fr
6.5
Roberto Rossellini: Fragments and Jokes
Documentary about master director Roberto Rossellini, who tells details of his life and childhood and visits the places where he has lived and shot some of his most famous movies.
2001-04-04 | it
8.2
Night and Fog
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1959-04-27 | fr
7.1
Unrest
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2017-10-20 | en
5.6
Affirmations
A look at what it's like to be gay and black in America.
1990-06-23 | en