We are Humanity

Between the Lines: India's Third Gender

January 2005 •English

Repping best view to date into the world of the Indian eunuch, “Between the Lines: India’s Third Gender” may not answer all the questions it poses, but helmer Thomas Wartmann provides an intimate glimpse at a community whose members are considered pariahs and conduits of supernatural force. Following shutterbug Anita Khemka in her quest to discover why these castrated men fascinate and repel, docu concentrates on three personalities and uses them as guides to their highly stratified world. Under its nautch skirts, film has strong enough legs to step out into international arthouses.

Maharajah of the Road

June 2012 •English

A Dream Trip Across India Some kilometers from Bombay, the Indian megalopolis, lost on a hill of Bollywood, is the grandiose set of a vast temple with a magical touch, reminiscent at the same time of an Indian shrine and an ancient Inca temple. Inside, Ten Ford Mustangs are waiting. Ten Ford Mustang with an incredible pedigree: Bullitt GT390, Shelby GT500, Shelby GT500 KR 1968... the deep sound of a gong resounds, the doors of the templeopen launching the first edition of the Maharajah of the Road. At the wheel of the ten Ford Mustang, passionate people coming from all over the world: Indian, French, American, Italian, Lebanese... they are business men, automobile designers, manufacturers, artists… From Mumbai to Jodhpur, a 2.000 kilometres tour will lead our Mustangs through India. From the Rats Temple in Deshnoke city to the thousand-and-one palaces, the two princesses will show the Rajasthan to the adventurers of the road in an eventful trip...

A Road in India

February 1938 •English

Life on the road in India, showing the traffic, people and animals.

Temples of India

February 1938 •English

Hindu temples at Benares and Belur and the mythologies associated with them.

James Bond in India

January 1983 •English

The making of the James Bond movie Octopussy (1983) in Udaipur, India during 1982.

Ruins of Delhi

April 1910 •English

Attractive travelogue filmed in and around Delhi's Qutb complex.

Villenour (French India: Territory of Pondicherry)

February 1914 •

Gorgeously dreamlike colour images of (then) French India – present-day Puducherry.

Sapera

March 2019 •Hindi

In the holy city of Varanasi, 16-year-old Ali has one of the most dangerous jobs in the world – catching poisonous snakes. The boy balances life and death on a daily basis to support his family.

Mind of Clay

March 1985 •Hindi

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

Arrival

January 1980 •Hindi

To the city come men, women, fruits, flowers, vegetables, goats and sheep – all ready for consumption. It is the process of consumption/exploitation that forms the core of the film.

Traceable

September 2014 •English

Traceable follows Laura Siegel, a fashion designer who takes a critical look at the fashion supply chain and fast fashion industry, travels through India in order to meet and work together with the artisans who create the majority of the clothing that we wear. The film explores our growing disconnect of how and who makes our clothing, thus instilling a need for traceability in the fashion industry.

The Warp and the Weft

September 2015 •English

Set in Varanasi, an ancient city of India, Tana Bana offers a rare look at the hidden world of Moslem weavers and Hindu traders and how their lives are interwoven through the production of the silk and the beauty it creates. However, as the technology advances, the trade is threatened by computerization and globalization.

The Last Maneater: Killer Tigers of India

May 2003 •English

Sunderbans (Forest of Beauty) is in West Bengal, India, and is the only place on Earth that is the natural habitat of Royal Bengal Tigers that have never known to be fearful of humans. One tiger has been known to kill three fully grown men, leaving behind orphans and widows who belong to poor tribes, dependent on harvesting wild honey and fishing, in a swampy mangrove region. About 80 people are killed annually by these ferocious beasts with razor-sharp jaws, whose forepaws can shatter bones, and sharp teeth can pierce a skull in one bite. Amidst religious superstitions, the narrator attempts to explain the cause behind their taste for human meat in a region devoid of electricity, roadways, firearms and safe drinking water, and why the villagers continue to live there despite of being stalked and mauled on land and water alike.

Tight: The World of Indian Bodybuilding

February 2024 •English

Can Aji's talent and triumphs elevate him from his poor, Tamil background to succeed on the national stage at Mr India? Or will his dreams be shattered by corruption and discrimination? The booming world of Indian bodybuilding is a captivating window through which to observe a rapidly changing society, while Aji's journey is a story of unity, brotherhood and celebration of India's incredible diversity.

A Punjab Village

January 1925 •English

Richly detailed amateur ethnographic film on the agrarian economy and society in rural Punjab.

India's forgotten people

September 2020 •English

Meena

June 2014 •English

Meena is a documentary film about sex trafficking in India based on a true story.

The Unreserved

February 2017 •Hindi

The Unreserved is an inquiry into the lives of passengers who use the Unreserved Compartment, the cheapest way to travel across India on the Indian Railways system. The film portrays the passengers’ aspirations, efforts and opinions through conversations and personal stories.

Lighthouse

April 2024 •English

After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.

The Kali of Emergency

February 2017 •Bengali

During social and political turmoil, what is the manifestation of divine intervention? How do the gods and goddesses act in the volatility of the contemporary world? If they walk on earth as men and women, how do they endure the chaos of modernity? Centering on the terrible and majestic incarnations of Goddess Kali and her celestial avatars, this film is a metaphysical contemplation in times of perpetual emergencies. Avikunthak’s remarkable sense of forms finds expression in the extraordinary combination of performance and essayistic cinematic practices.