
Food and Magic
Genres
Overview
A sideshow barker uses magic and visual aids to alert the public that proper food management is both a resource and a weapon that could be to America's advantage if conserved properly in winning the then current World War. Preserved by the Academy Film Archive, Academy War Film Collection, in 2008.
Details
Budget
$0
Revenue
$0
Runtime
10 min
Release Date
1943-11-18
Status
Released
Original Language
English
Vote Count
5
Vote Average
5
Jack Carson
Faye Emerson
Fred Kelsey
Bill Kennedy
Mark Stevens
Dink Trout
7.3
A Trip to Paramountown
Documentary short film depicting the filmmaking activity at the Paramount Studios in Hollywood, featuring dozens of stars captured candidly and at work.
1922-07-10 | en
4.4
Musicians
Misha observes the area with binoculars. In the infinite white, he notices Gia, as lonely as himself.
1969-07-03 | ka
7.0
Cross
First a boy is forced to run. Then he runs on his own. Then he watches another one run.
2011-05-21 | fr
7.5
A Fire
The National Iranian Oil Company (NIOC), formed upon nationalization of the British Anglo-Iranian Oil Company, employed film systematically, producing many films on oil and petrochemical subjects. It also made films depicting Iran's progress and modernization, highlighting the role of the Shah and NIOC in that direction. Under its auspices, Ebrahim Golestan directed A FIRE (1961), a highly visual treatment of a seventy-day oil well fire in the Khuzestan region of southwestern Iran. This film was edited by the Iranian poet Forough Farrokhzad and won two awards at the Venice Film Festival in 1961.
1961-04-01 | fa
0.0
The Art Director
A film's art director is in charge of the set, from conception to construction to furnishing. This short film walks the viewer through art directors' responsibilities and the demands on their talents. They read a script carefully and design a set to capture the time and place, the social strata, and the mood. They must be scholars of the history of architecture, furnishings, and fashion. They choose the colors on a set in anticipation of the lighting and the mood. Their work also sets styles, from Art Deco in the 20's to 30s modernism. Then it's on to the next project. Preserved by the Academy Film Archive in 2012.
1949-11-12 | en
8.2
Night and Fog
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
1959-04-27 | fr
7.0
Land Without Bread
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
1933-12-01 | es
6.4
Primary
Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
1960-11-08 | en
0.0
Outside the Wire
A female Australian soldier cut off from her team, lies trapped in a collapsed building behind enemy lines. With a broken leg and minimal supplies, she is on her own until the unlikely arrival of a frightened 10 year old boy wielding a rifle, who helps her maintain survival through their developing friendship.
2016-07-01 | en
7.5
Lou
A Pixar short about a lost-and-found box and the unseen monster within.
2017-06-16 | en
7.5
Brasilia, Contradictions of a New City
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
1968-01-01 | pt
7.3
Daybreak Express
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
1953-01-01 | en
0.0
Post Traumatic: An American Nightmare
This thirty minute documentary features interviews with Giovinazzo's key contemporaries discussing the continued impact and influence of Combat Shock twenty-five years later.
2009-07-28 | en
0.0
Running Waters
A portrait of the daily life of Zé de Sabino, a fisherman who works and lives in the breathtaking village of Regência, Espirito Santo (located near the Rio Doce, which suffered one of the greatest environmental tragedy in Brazil's history). The vastness of man is a place suspended in time, bordered by sky, land, river, and sea.
2016-02-12 | pt
7.0
M*A*S*H
The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.
1970-02-18 | en
6.7
Workers Leaving the Lumière Factory
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
1895-03-22 | fr
6.0
Frankenstein
Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.
1910-03-18 | en
7.2
The Impossible Voyage
Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.
1904-11-10 | fr
0.0
Dr. Jekyll and Mr. Hyde
1908-03-07 | en
6.5
The Cardinal
A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.
1963-12-12 | en