Loading
A meditative stroll through Sacramento landmarks, from the gentrified to the urban.
$0
$0
12 min
2018-11-30
Released
English
0
0
10.0
As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this `Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, in their perception of their society and also about marriage.
1982-01-01 | en
0.0
Bringing offerings of rice, flowers, and woven coconut leaves, clients visit Jero in her household shrine to determine the cause of their son's death. Jero lights an incense brazier, sprinkles holy water, and recites mantras as preliminaries to trance. Several ancestors and finally the young son speak through her voice, revealing the nature of his premature death (witchcraft) and his wishes for cremation. In contrast to other films about Balinese trance which focus on spectacular, community performances, this film provides an intimate view of a fascinating process of communication between Jero, the spirits, and her clients who are at one point moved to tears. (der.org)
1981-01-01 | en
0.0
The first Easter Island documentary, filmed in 1935 when the Belgian naval ship Mercator came to collect Drs. Henri Lavacherry and Alfred Métraux, who had arrived six months before to carry out archaeological and ethnological work. The film, directed with melodramatic gusto and featuring a full orchestral score by Maurice Jaubert (who also did the narration), shows islanders, the monuments, and a public dance. A theme of decay and decadence characterizes the film, the motif portrayed gruesomely by extensive close-ups of the inhabitants of the leper colony there at the time. The film suited a romantic image of a mysterious lost civilization, the survivors eking out a pitiful existence on a barren rock. (Grant McCall)
1935-05-24 | fr
8.3
Remember the culture clash in THE GODS MUST BE CRAZY? This time it's real. One of the most ancient cultures on our planet is undergoing a major change. The Ju/Hoansi Bushmen in Namibia are not allowed to hunt anymore and need to converge with our so called “civilized” lifestyle. For the first time the Ju/Hoansi Bushmen travel through the Kalahari and then right into the heart of Europe. What starts as a look at their fascinating culture becomes an even more fascinating look at our Western lifestyle. A warm and humorous reflection of our habits through the eyes of people who are about to give up their million year old traditions.
2017-11-02 | de
9.0
The Fall of Hearts is the tenth studio album by Swedish metal band Katatonia. It was released on May 20, 2016. The album, mostly written and produced by founding members Jonas Renkse and Anders Nyström, was the first to also feature new members Daniel Moilanen and Roger Öjersson. The album moved in a more progressive rock direction than prior albums, and was generally well received by critics. This is the entire limited DVD-audio version, only to be released in Japan.
2016-05-20 | en
0.0
The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.
2022-01-01 | ru
9.0
Plague: From the Latin word “plaga” meaning 'blow', 'wound'. Meaning: Massive, sudden appearance of living beings of the same species that cause serious damage to animal or plant populations. Abundance of something harmful.
2017-01-01 | eu
10.0
A five-year visual ethnography of traditional yet practical orchestration of Semana Santa in a small town where religious woodcarving is the livelihood. An experiential film on neocolonial Philippines’ interpretation of Saints and Gods through many forms of rituals and iconographies, exposing wood as raw material that undergoes production processes before becoming a spiritual object of devotion. - A sculpture believed to have been imported in town during Spanish colonial conquest, locally known as Mahal na Señor Sepulcro, is celebrating its 500 years. Meanwhile, composed of non-actors, Senakulo re-enacts the sufferings and death of Jesus. As the local community yearly unites to commemorate the Passion of Christ, a laborious journey unfolds following local craftsmen in transforming blocks of wood into a larger than life Jesus crucified on a 12-ft cross.
2018-10-21 | tl
0.0
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.
2020-09-09 | en
5.0
With a dual motion a cruise ship and a fishing boat pass one another on the Nile and butlers in turbans set up a wooden gangway. Thanks to a rope and pulley system cows climb skywards then disappear into the hold of the sailing vessel. On the bank, black-haired women rock back and forth, bursting out laughing and showing the first signs of going into a state of trance. Never-before filmed gestures and faces of the people of the Nile succeed one another, uprooted to an unknown, magical world. The Banks of the Nile is one of the first experiments of film in colour that uses the Kinemacolor process.
1911-01-01 | en
0.0
Robin Pecknold brings light to the bleakest of winters with Fleet Foxes’ ‘A Very Lonely Solstice,’ a 13-track career spanning collection recorded in December 2020, at Brooklyn, NY’s St. Ann & the Holy Trinity Church.
2021-12-10 | en
5.0
“The picture [shows] a number of Esquimaux picking nickels from cracks in a board with their dog whips, in which sport they are very expert. In the background will be seen one of their "Topeks," a sealskin tent in which they live during their short summer.” (Edison catalog)
1901-08-08 | en
6.0
1899-10-09 | fr
0.0
A 16-minute short shot with a totally subjective eye; conveys the mythic life sense and social elements of a people who live in the world's highest mountains.
| en
0.0
Short ethnographic documentary on the Tetela tribe in Congo based upon footage and commentary by director Luc de Heusch from 1953 reassembled by Damien Mottier (Université Paris Nanterre) and Grace Winter (CINEMATEK).
2023-03-22 | fr
5.7
A man demonstrates a human-powered water wheel that irrigates a rice field.
1899-07-14 | fr
4.3
A woman from the Ashanti tribe bathes her child in a shallow bowl.
1897-05-16 | fr
4.8
Travellers, nomads and salesmen make their way along a dam next to the Nile.
1897-04-18 | fr
4.3
African men dance, sing and play instruments.
1897-10-28 | en
0.0
Drawing together footage, photographs and texts from archival sources as well as the artist’s personal collection of materials, Yto Barrada’s new film is as much a poetic enigma as it is a portrait of identity. Ether Reveries (Suite for Thérèse Rivière no.2) takes as its starting point the work and life of Thérèse Rivière (1901–1970), a French anthropologist whose remarkable working life was cut short following her confinement in psychiatric institutions.
2017-07-12 | en