Primitive London
Shocking! Incredible! The most bizarre motion picture you have ever seen!
Genres
Overview
The sensational follow-up to "London in the Raw," "Primitive London" sets out to reflect society's decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.
Details
Budget
$0
Revenue
$0
Runtime
87 min
Release Date
1965-04-01
Status
Released
Original Language
English
Vote Count
5
Vote Average
5.8
David Gell
Narrator
MacDonald Hobley
Self
Billy J. Kramer
Self
Vickie Gray
Self
Beatrice Kotter
Self
Emmett Hennessy
Self
Barry Cryer
Roger
Ray Martine
Self
6.8
Megacities
Megacities is a documentary about the slums of five different metropolitan cities.
1998-08-12 | en
6.7
Workers Leaving the Lumière Factory
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
1895-03-22 | fr
6.4
Africa Blood and Guts
A chronicle of the violence that occurred in much of the African continent throughout the 1960s. As many African countries were transitioning from colonial rule to other forms of government, violent political upheavals were frequent. Revolutions in Zanzibar and Kenya in which thousands were killed are shown, the violence not only political; there is also extensive footage of hunters and poachers slaughtering different types of wild animals.
1966-02-11 | it
7.4
Frank and Ollie
Before computer graphics, special effects wizardry, and out-of-this world technology, the magic of animation flowed from the pencils of two of the greatest animators The Walt Disney Company ever produced -- Frank Thomas and Ollie Johnston. Frank and Ollie, the talent behind BAMBI, PINOCCHIO, LADY AND THE TRAMP, THE JUNGLE BOOK, and others, set the standard for such modern-day hits as THE LION KING. It was their creative genius that helped make Disney synonymous with brilliant animation, magnificent music, and emotional storytelling. Take a journey with these extraordinary artists as they share secrets, insights, and the inspiration behind some of the greatest animated movies the world has ever known!
1995-10-20 | en
0.0
Our Inflammable Film Heritage
Introduction to an extensive training program for everyone professionally involved in the process of film conservation and film restoration. The realization of this training program was initiated and coordinated by ECIPAR (Bologna-Italy) and the Cineteca del Comune di Bologna. It was produced in co-operation with eleven European film archives and film laboratories and co-financed by the FILM project - FORCE program of the European Community.
1994-01-01 | en
6.4
Salaam Cinema
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the screen tests of the would-be actors.
1995-04-14 | fa
4.6
Mondo New York
A young woman wanders around New York City and stumbles across a number of strange characters and settings that represent the "underground" areas of the city. She sees stand up comedy in Central Park, a prostitution auction, a voodoo ceremony, an S&M club, and a number of very interesting performance artists. These are just a few of the sights and sounds of New York that she encounters.
1988-04-22 | en
0.0
Naked Cinema
In the early 70s Greek cinema entered in a period of crisis. One of its aspects was said "crisis of issues" and one of the exits heard in the name "erotic cinema". The genre was already acquaintance from the abundance of foreigner films, that was distributed in the grindhouses under the "adults only" motto and its Greek version had a lot of variants.
2010-04-08 | el
7.0
The Fearless Freaks
Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.
2005-05-25 | en
5.3
Mondo Hollywood
Long considered a cult classic, "Mondo Hollywood" captures the underside of Hollywood by documenting a moment in time (1965-67), when an inquisitive trust in the unknown was paramount, hope for the future was tangible and life was worth living on the fringe. An interior monologue narrative approach is used throughout the film, where each principal person shown not only decided on what they wanted to be filmed doing, but also narrated their own scenes. The film opens with Gypsy Boots (the original hippie vegan - desert hopping blender salesman), and stripper Jennie Lee, working out 'Watusi-style' beneath the 'Hollywood' sign -- leading into the 'sustainable community' insight of Lewis Beach Marvin III, the S&H Green Stamp heir, who lived in a $10 a month garage while owning a mountain retreat in Malibu.
1967-06-30 | en
5.4
Cannes Man
Film producer Sy Lerner makes a bet with a fellow film executive that he can turn any nobody into a star at the Cannes Film Festival. A New York cab driver who is visiting the festival is chosen as the test subject to settle the bet and Sy uses his skills of hype and manipulation to try and turn the cab driver named Frank into the talk of the town. Many celebrities make cameos throughout the film.
1997-06-03 | en
0.0
Jack the Ripper: The Missing Evidence
During a three-month period in 1888, a knife-wielding serial killer murdered six women on the streets of Whitechapel. Their throats were cut and their bodies horribly mutilated. He was never caught and his identity remains one of the world's greatest crime mysteries. In the years that have passed since Jack the Ripper's killing spree, many high-profile suspects have been suggested, yet the fact remains that none of them can be placed at any of the crime scenes. Now, journalist Christer Holmgren believes that he has found a suspect who can not only be linked directly to one of the murders but also whose daily routine could be consistent with all the other deaths
2014-11-17 | en
6.3
Auge in Auge - Eine deutsche Filmgeschichte
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
2008-07-03 | de
6.2
Bald: The Making of 'THX 1138'
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.
1971-03-01 | en
0.0
Walking with Pasolini
A documentary about Pier Paolo Pasolini and his film 'Salò o le 120 giornate di Sodoma'.
2008-09-29 | en
4.0
The Human Eye
A 55-minute film by director Xavier Giannoli that analyses 'À nos amours'. The film features former Cahiers du cinéma editorial director Jean-Michel Frodon, actors Jacques Fieschi and Sandrine Bonnaire, and other members of the cast
1999-01-01 | en
5.1
Kwaheri
Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.
1964-12-09 | en
6.4
Decasia: The State of Decay
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
2002-01-24 | en
0.0
The World Is a Window: Making The Colour of Pomegranates
A documentary by writer and filmmaker Daniel Bird about the making of Sergei Parajanov's 'The Colour of Pomegranates'.
2011-08-29 | en
10.0
Impromptu
A journey to the origins of cinema, starting with its forgotten fathers: the pioneers who achieved moving images before 1895, the official year of the Lumière cinematograph. Through five studies by Frédéric Chopin, 'Impromptu' is also a tribute to the end of the 19th century, to its immortal muses, and to the fascination with movement itself.
2017-01-01 | xx