Mozart: Die Zauberflöte
Poignantly human
Genres
Overview
Die Zauberflöte is one of Mozart’s most famous works and one of the most beloved of the entire operatic repertoire. Generations of spectators have been fascinated by the melodies and adventures of Papageno, the Queen of the Night, Tamino, and Pamina, the ordeals faced by the young lovers, and the work’s inexhaustible allegorical depth. The director Romeo Castellucci has deliberately stepped back from the narrative dimension of the opera in order to explore its raw emotion and its philosophical heart. For his part, the conductor Antonello Manacorda brings Mozart’s immortal music to life with the help of an outstanding cast that includes Sabine Devieilhe, one of today’s finest interpreters of the Queen of the Night.
Details
Budget
$0
Revenue
$0
Runtime
165 min
Release Date
2018-09-27
Status
Released
Original Language
German
Vote Count
0
Vote Average
0
Gábor Bretz
Sarastro
Ed Lyon
Tamino
Sabine Devieilhe
Queen of the night
Sophie Karthäuser
Pamina
Georg Nigl
Papageno
Elena Galitskaya
Papagena
Elmar Gilbertsson
Monostatos
Dietrich Henschel
Sprecher
Tineke van Ingelgem
First Lady
Angélique Noldus
Second Lady
Esther Kuiper
Third Lady
Guillaume Antoine
First Priest, Second hanged man
Yves Saelens
Second Priest, First hanged man
7.4
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Christmas is now more beautiful and cosy than ever! Experience Christmas in London, together with André Rieu. Decorated Christmas trees everywhere you look, beautifully lit streets, tempting Christmas window displays... Combine the unique London Christmas atmosphere with a magnificent Christmas concert by André Rieu, and you have all the ingredients for a lovely party in the dark December days. Together with fantastic soloists and his always joyful Johann Strauss orchestra, André Rieu provides a fabulous evening with the most beautiful and moving Christmas carols, but also with emotional songs such as Leonard Cohen's Hallelujah, The Holy City and the classic Concierto de Aranjuez. Christmas in London means an evening enjoying lovely music, beautiful costumes and plenty of London cosiness.
2016-12-02 | en
6.9
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1987-12-16 | en
0.0
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2021-01-15 | en
0.0
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2022-10-22 | it
4.0
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2017-03-25 | it
0.0
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2017-04-22 | en
7.0
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2017-05-13 | de
0.0
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2020-01-12 | it
6.6
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The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.
1994-12-01 | fr
6.0
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2006-11-26 | xx
0.0
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1980-03-29 | it
0.0
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As the imperious title empress, mezzo-soprano Joyce DiDonato leads the Met premiere of Handel’s tale of deception and deceit. Harry Bicket conducts Sir David McVicar’s wry new production, which gives this Baroque black comedy a politically charged, modern updating.
2020-02-29 | it
7.0
Operette
A musician is offered a job in Vienna as stage director, but his disagreements with the aristocratic opera manager end in abrupt firing in spite of a mutual attraction. He's quickly engaged by another theatre and becomes famous for his lavish stage productions and fine acting, which begins their golden age with Suppé and Strauss.
1940-12-20 | de
0.0
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1983-09-28 | it
10.0
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2003-10-15 | en
0.0
Strauss: Elektra
It's hard to imagine confirmed Straussians not wanting this starry Metropolitan Opera performance of Elektra. Strauss and his librettist, Hugo von Hofmannstahl, transformed Sophocles' take on Homer's tale into a harrowing opera noir. Elektra lives for one reason, to kill her mother, Klytämnestra, and her stepfather, Aegisth, the murderers of her father, Agamemnon. In contrast to Elektra's vengeful obsession, her sister Chrysothemis desires to get on with life. When their long-missing brother, Orestes, returns to do the deed, Elektra celebrates with a dance of death and, her sole purpose in life fulfilled, dies. Strauss joined the hermetic plot to music of the utmost opulence, violent and yearning by turns, evoking the cardinal principles of Greek tragedy - pity and terror.
1980-02-16 | en
0.0
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1963-05-31 | cs
0.0
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2016-10-22 | en
6.8
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2013-06-21 | it
6.5
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La traviata (Italian: [la traˈviaːta], "The Fallen Woman"[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.[3]
2001-03-04 | en