Loading
How the Devil Got His Horns: A Diabolical Tale
Genres
Documentary
Overview
Art historian Alastair Sooke traces the humanization of the Devil figure in medieval art from the tenth to the fourteenth centuries.
Details
Budget
$0
Revenue
$0
Runtime
59 min
Release Date
2012-10-29
Status
Released
Original Language
English
Vote Count
2
Vote Average
8.5
Cast
Meet the talented actors who bring the movie to life.
Alastair Sooke
Self - Presenter
Similar Movies
Explore movies similar to this one that you might also enjoy.
7.3
Goering's Catalogue: A Collection of Art and Blood
For more than a decade, Reichsmarschall Hermann Goering, Adolf Hitler's right-hand man during the infamous Third Reich, assembled a collection of thousands of works of art that were meticulously catalogued.
2021-03-14 | fr
7.0
Picturing the Presidents
We go behind the scenes and into the minds of artists as they capture, commemorate, and, at times, condemn our presidents.
2009-02-10 | en
7.5
The Painting
For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.
2019-11-08 | es
10.0
Okht-o-Reda
The movie Okht al-Reza (Reza's sister) narrates the journey of the Lady of Dignity, Hazrat Masoumeh PBUH from Madinah to Qom. While portraying the events of the Prophet's path, her time, Ma'mun's conspiracies and efforts for her martyrdom, the work tries to express a mystical narrative of the character of Hazrat Masoumeh. It deals with the story of this journey, and includes passages about the political and social atmosphere of the time, where the general atmosphere of the storytelling is somewhat close to the documentary.
2023-09-25 | fa
5.0
Max Ernst: Journey into the Subconscious
The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.
1964-01-01 | en
7.0
The Builders of the Alhambra
Kingdom of Granada, al-Andalus, 14th century. After recognizing that his land, always under siege, is hopelessly doomed to be conquered, Sultan Yusuf I undertakes the construction of a magnificent fortress with the purpose of turning it into the landmark of his civilization and his history, a glorious monument that will survive the oblivion of the coming centuries: the Alhambra.
2022-11-24 | es
8.0
Teatro Amazonas: The Art of Sound and Nature
The history of the Teatro Amazonas in Manaus, an opera house located in the middle of the Amazon rainforest, whose construction, between 1884 and 1896, depended on the labor exploitation of the local indigenous populations, provides an insight into the cultural, social and political situation in Brazil.
2022-09-05 | de
0.0
The Original Richard McMahan
The multi-talented outsider artist Richard McMahan is on a quest to painstakingly re-create thousands of famous and not-so-famous paintings and artifacts–in miniature.
2016-09-17 | en
6.8
Dark Star: H. R. Giger's World
An account of the life and work of Swiss painter, sculptor, architect and designer H. R. Giger (1940-2014), tormented father of creatures as fearsome as they are fascinating, inhabitants of nightmarish biomechanical worlds.
2014-10-23 | de
7.0
The Genius of Turner: Painting the Industrial Revolution
A film that looks at the genius of JMW Turner in a new light. There is more to Turner than his sublime landscapes - he also painted machines, science, technology and industry. Turner's life spans the Industrial Revolution, he witnessed it as it unfolded and he painted it. In the process he created a whole new kind of art. The programme examines nine key Turner paintings and shows how we should re-think them in the light of the scientific and Industrial Revolution. Includes interviews with historian Simon Schama and artist Tracey Emin.
2013-04-26 | en
0.0
Philippe-Alain Michaud, le réel traversé par la fiction
To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.
2016-01-01 | fr
7.4
The Savior for Sale
In November 15, 2017, the painting Salvator Mundi, attributed to Italian artist Leonardo da Vinci (1452-1519), was sold for an unprecedented $450 million. An examination of the dirty secrets of the art world and the surprising story of how a work of art is capable of upsetting both personal and geopolitical interests.
2021-11-25 | fr
7.0
Versailles Rediscovered: The Sun King's Vanished Palace
Based on the latest technological and scientific advances, this documentary explores the palace's architectural past to resurrect Louis XIV's vanished Versailles. Versailles was an ongoing building site at the time of Louis XIV and continued to be transformed by its successive occupants later on. The Versailles we know today only vaguely resembles the Versailles of the Sun King. Most of its original features and apartments no longer exist. Thanks to the digitisation of thousands of plans, a team of scientists takes us back in time to explore this forgotten past in a new way, through a large-scale reconstruction project to bring back the Versailles of Louis XIV as he designed it, according to his requirements and dreams.
2019-03-07 | fr
7.2
The Cinematograph: Birth of an Art
Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.
2021-10-17 | fr
0.0
Black Is the Color: African-American Artists and Segregation
Black Is the Color highlights key moments in the history of Black visual art, from Edmonds Lewis’s 1867 sculpture Forever Free, to the work of contemporary artists such as Whitfield Lovell, Kerry James Marshall, Ellen Gallagher, and Jean-Michel Basquiat. Art historians and gallery owners place the works in context, setting them against the larger social contexts of Jim Crow, WWI, the civil rights movement and the racism of the Reagan era, while contemporary artists discuss individual works by their forerunners and their ongoing influence.
2016-07-07 | fr
4.5
Egon Schiele: Between Love and Hate
An account of the short life and the astonishing and provocative work of the Austrian painter Egon Schiele (1890-1918), seen through the peculiar point of view and the critic voices of the women who defined the paramount milestones of his existence: Gerti, his sister; Wally, his main model and lover; and Edith, his wife. A brief story of love, hate, betrayal and misfortune.
2018-11-04 | de
0.0
The Art of Grieving
After the untimely death of his 35-year old brother, an artist explores the questions that surfaced from grief by painting 365 paintings and to spur conversation in culture.
2022-06-19 | en
0.0
Tale of Time
Fajar Suharno was a theater maestro from the 80's to the 90's. He was imprisoned because his theater activities were considered against the New Order government. At its peak, he made a show entitled "Geger Uwong Ngoyak Macan" about the events of crushing people who were considered thugs/criminals (Petrus). The show was held exactly the day before the massacre took place
2021-11-20 | id
0.0
Daniel Richter on Emil Nolde
Emil Nolde was a Nazi – and so what, asks contemporary German artist Daniel Richter. “It’s a moralistic debate. A debate, that mirrors the moralism and bigottery of a generation that seems to think, that the world is a moral playground.” Emil Nolde’s relationship to the Nazi-regime in the Third Reich has given rise to immense discussions within the last months. For decades the broader public had a picture of Nolde being one of the “entartete” artists as well as being prohibited painting by the Nazi-regime. Though this on the surface is true, it was the result of a great disappointment to Nolde. For years, he had strived to become “the” artist of the Thrid Reich, praising his own art as true, German, anti-French and anti-Jewish. Possible competitors within the German art world like Max Pechstein he actively denounced to the Nazi authorities.
2014-08-13 | en
0.0
Die Brücke: The Birth of Modern Art in Germany
This movement marks the beginning of modern art in Germany. It is the German equivalent of French Fauvism, from which it draws its main inspiration, but it carries an Expressionist and social emphasis that is characteristic of Nordic 'angst.' The artists of Die Brucke were restless creatures, over-sensitive, haunted by religious, sexual, political or moral obsessions. Dramatic landscapes and nudes, mystical and visionary compositions, scenes of the countryside, the streets, the circus, the cafe-dansants and the demi-monde were their principal subjects. Their pure colours blaze in acid stridency, encompassed by rough, dry contours which show the influence of African art and primitive woodcuts. The work of the following is shown: Kirchner, Fritz Bleyl, Erich Heckel, Schmidt-Rottluff, Otto Muller, Emil Nolde and Max Pechstein.
1972-01-01 | de