

New Wave Lovers
A look at the underside of the music business starring "The Pin Ups"
Genres
Overview
Freddy wants to be a star. He writes and performs his own songs, but has no record contract yet. He has an idea to form a group of back-up vocalists and recruits four beautiful girls who also happen to be his former lovers. They name themselves "THE FOUR PIN-UPS." But even this doesn't work because Freddy wants the spotlight for himself. However, by chance, the girls find themselves onstage without Freddy; they start singing and capture the audience and sign a contract with a big producer. They seem to be on the road to success with their own sound and a new wave image. Except the dream begins to lose its glow; scandal, conflicts, and disenchantment start affecting the group. They go from number one to...
Details
Budget
$0
Revenue
$0
Runtime
90 min
Release Date
1981-01-01
Status
Released
Original Language
German
Vote Count
3
Vote Average
3
Sascha Hehn
Fredy
Bea Fiedler
Sängerin
Peter Schlesinger
Harry
Moti Gilad
Rolf
April Clough
Annabelle
Bonnie Benedict
Susanne Rorleton
Kem McLeroy
Jürgen Emanuel
Alexander Böttcher
Tobias Meister
Günther
Manfred Grunert
Zeev Berlinsky
5.6
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1978-03-17 | en
0.0
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2003-01-01 | en
6.0
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2009-10-09 | en
7.5
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2022-06-22 | en
6.4
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2002-03-31 | en
7.2
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1981-11-07 | en
7.5
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0.0
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1982-01-05 | en
7.0
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0.0
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2012-04-02 | en
6.9
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2002-09-11 | en
5.7
Adorável Trapalhão
1967-06-01 | pt
6.5
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2004-10-14 | en
7.0
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2005-11-08 | en
6.3
Slave Trade: How Prince Remade the Music Business
In the mid-1990s reports emerged that Prince had fallen into dispute with his record company. Having signed what was ostensibly a new, 100 million dollar contract just a couple of years before, Prince was now demanding - not unreasonably to most commentators - control of his masters and the freedom to release what he wanted when he wanted. After a bitter war of words, during which the star scrawled Slave across his cheek whenever he appeared in public and routinely dissed his label, the parties finally settled and Prince henceforth was free to take full control of his music and the way it was sold to consumers. Prince approached this task with devastating foresight as he routinely created new marketing concepts which, with time, became the norm across the music world.
2014-07-08 | en
6.9
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1990-01-01 | en
6.5
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2005-09-19 | en
7.5
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2002-05-27 | en
0.0
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2006-12-07 | en
8.3
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1984-11-16 | en