The Black Crook

Rampant Blood

May 1917 •German

A german film released in 1917 starring Pola Negri.

Defying the Law

June 1924 •English

Discouraged with life, Michelo throws his daughter Lucia into the sea, but she falls into a fisherman's boat and is taken to a fishing village. Francisco kidnaps her and takes her to the headquarters of smuggler Dr. Chong Foo, located in a studio occupied by Pietro Savori, an unwilling partner. Chong Foo kills Savori to gain the girl for himself, but Bevani comes to the rescue and saves Lucia for her sweetheart, Guido.

Man and Maid

April 1925 •English

Boulevardier Sir Nicholas Thormonde (Lew Cody) has to choose between his mistress Suzette (Renée Adorée) and his virtuous secretary Alathea (Harriet Hammond) in wartime Paris.

The Light That Failed

October 1923 •English

About Dick Heldar, an aspiring artist. Although he is devoted to his childhood sweetheart, Maisie Wells, his ambition drives him to faraway places. He meets Torpenhow, a war correspondent, at Port Said, and accompanies him into battle.

The Light of the World

March 1931 •Hindi

A period fantasy that told of the ageing king of Kamarpur, and his two rival queens, Navbahar and Dilbahar, and their rivalry when a fakir predicts that Navbahar will bear the king's heir. Dilbahar unsuccessfully tries to seduce the army chief Adil (Vithal) and vengefully destroys his family, leaving his daughter Alam Ara (Zubeida) to be raised by nomads. Eventually, Alam Ara's nomad friends invade the palace, expose Dilbahar's schemes, release Adil from the dungeon and she marries the prince of the realm.

Bettina Loved a Soldier

August 1916 •English

Very wealthy Bettina is also very reluctant to get married. She changes her mind in a hurry when she meets Reynaud, the nephew of Abbe Constantin, the poverty-stricken religious leader of the small French village of Longueval.

Bobbie of the Ballet

June 1916 •English

Wealthy Jack Stimson (Jay Belasco) falls in love with Broadway diva Velma Vrooman (Gretchen Lederer), and for her sake bankrolls the musical production in which she is currently starred. But when Velma proves to be fickle and unreliable, Jack shifts his affections to humble chorus girl Bobbie (Louise Lovely).

Broken Fetters

July 1916 •English

The Bugler of Algiers

November 1916 •English

Gabrielle Picard (Elda Hall) and Pierre Dupont (Rupert Julian) are lovers in a small French village in the early 1870s; Gabrielle's brother Anatole (Kingsley Benedict) is Pierre's best friend. The two young men are called to service by their country and go to Algiers. Anatole becomes the bugler and one day when he is commanded to sound the retreat, he sounds for the troops to charge instead. Anatole becomes a hero because of his action, but when the two men make their victorious return home, they find the Picard home ransacked and Gabrielle gone.

The Crippled Hand

May 1916 •English

Diminutive heroine Ella Hall dreams that she's Cinderella, and that a wealthy gentleman of her acquaintance (played by Leonard) is her Prince Charming. All of this takes place during a musical stage production of Cinderella, a sequence distinguished by its authentic backstage atmosphere.

At the End of a Perfect Day

January 1915 •English

The story opens with an old couple in the evening of life, sitting by the fireside reminiscing the happenings of their younger days. How the young man had left his country home to seek work in the great city, and after many days of wandering had found employment as an office boy in the same office with the young lady. How she had taken an interest in him and before many days had become more than friends.

The Cry of the First Born

September 1915 •English

Owing to his father's illness, Cecil Crenwell is sent to inspect the family rice plantation in Hawaii. While there he falls in love with Hawai'ian girl Uana and wins her away from her native beau Kau.

Curtain

September 1920 •English

Nancy Bradshaw (Katherine MacDonald) is a popular stage star who quits her career to marry millionaire clubman Dick Cunningham (Charles Richman). But after a few years of marriage, he starts seeing other women. Figuring that her public was more faithful to her than her husband, Nancy returns to the stage.

After the Show

October 1921 •English

After the Show was adapted from Rita Weiman's story "The Stage Door." Lila Lee plays Eileen, a starry-eyed young girl employed as a chorus dancer in New York. Eileen can never be certain if the men in her life are sincere, or if they perceive her as mere temporary plaything. Among the "stage door johnnies," "tired businessmen" and "sugar daddies" surrounding Eileen are Jack Holt and Carlton S. King.

The Social Code

October 1923 •English

Babs Van Buren saves her lover from the electric chair and at the same time extricates her older sister, Connie from a trying situation.

Money, Money, Money

January 1923 •English

A socially ambitious woman who convinces her father to borrow money from a snobbish man.

Sin

September 1916 •Russian

The Pillory

October 1916 •English

A young girl is kept ignorant of her mother by her aunt. After her aunt dies, the girl is used by crooks and arrested. In prison she meets a kindly woman, who is married to a judge. The woman, unbeknownst to the girl, is her mother, and adopts her. The companion of the deceased aunt, in the midst of a ball, denounces the mother and reveals her secret to the judge and guests. The judge will not forgive his wife, so the mother and daughter leave and work among the slums to benefit humanity. Eventually, the judge relents, and seeks his wife for forgiveness, but he is too late.

Freckles

May 1917 •English

Freckles, a one-armed orphan tired of being tormented by others runs away eventually finding a place as a watchman in the timber camp, The Limberlost. He falls in love with Angel but feeling unworthy of her keeps his feelings silent until a near catastrophic incident reveals the bond between them.

The Heart of a Show Girl

August 1916 •English

Elspeth Marner is a seventeen-year-old premiere danseuse. Frank Masterson is the most hated as well as the most respected critic of dramatic art in New York. When the story opens, Elspeth, flushed with applause, enters her dressing room where her mother and the maid rush to do her bidding. The next morning, in bed, Elspeth reads Masterson's scathing criticism: that her real name is doubtless Lizzie Schmitt; that she is spoiled and petulant and not at all a lady, etc. Elspeth is furious, hysterical, angry and her mother, after telephoning Masterson to tell him her opinion of him, calls in the doctor.