
Filmmakers vs. Tycoons
Genres
Overview
How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)
Details
Budget
$0
Revenue
$0
Runtime
97 min
Release Date
2005-07-17
Status
Released
Original Language
Catalan
Vote Count
5
Vote Average
6.2
Marta Belmonte
Marta
Jesús Ángel Domínguez
Jester
Víctor Jerez
Knight
Tunet Vila
Monk
Daniel Medrán
Navarrete
Antonio Regueiro
Philip II of Spain
Ramón Planas
Priest
Tomàs Mallol
Professor
Santiago Lapeira
Projectionist
Mark Schardan
Receptionist
Jaume Artigas
Technician #1
Joan Vall
Technician #2
Enric Suñol
Usher
Adoor Gopalakrishnan
Self
Arthur Penn
Self
Elliot Silverstein
Self
Giuliano Montaldo
Self
Henning Carlsen
Self
Jack Cardiff
Self
José María Nunes
Self
Liv Ullmann
Self
Luis García Berlanga
Self
Manuel De Sica
Self
Marco Bellocchio
Self
Maurizio Nichetti
Self
Miloš Forman
Self
Richard Fleischer
Self
Robert Ellis Miller
Self
Stanley Donen
Self
Sydney Pollack
Self
Vilgot Sjöman
Self
Woody Allen
Self
Burt Lancaster
Self (archive footage)
Darryl F. Zanuck
Self (archive footage)
Federico Fellini
Self (archive footage)
Fred Zinnemann
Self (archive footage)
John Huston
Self (archive footage)
King Vidor
Self (archive footage)
Orson Welles
Self (archive footage)
Raoul Walsh
Self (archive footage)
Vittorio De Sica
Self (archive footage)
5.0
Thunder Over Mexico
As was common in Diaz's Mexico, a young hacienda worker finds his betrothed imprisoned and his life threatened by his master for confronting a hacienda guest for raping the girl. This film is the first of several attempts to make a feature-length motion picture out of the 200,000-plus feet of film shot by Sergei Eisenstein, on photographic expedition in Mexico during 1931-32 for Upton Sinclair and a cadre of private American producer-investors. Silent with music and English intertitles.
1933-09-22 | en
6.0
Bécquer and the Witches
In 1864, the Spanish poet Gustavo Adolfo Bécquer (1836-70), suffering from health problems, retires to the monastery of Veruela. Far from the noise and worldly activity of the capital, he immerses himself in the landscape of the mysterious Moncayo mountain. There, he discovers a new world full of legends that converge in a small village located at the foot of the mountain: Trasmoz, the Village of the Witches, the only officially cursed village in Spain.
2018-10-19 | es
8.0
Bay of Blood
March 25th 1971, a horrific 'Genocide' was unleashed on the unarmed civilians of East Pakistan. This was done by their own Pakistani Army. An estimated 3 million people were killed, 10 million people were displaced to India as refugees and 400,000 women and girls were raped by the Pakistani soldiers. But Pakistan was not alone in perpetrating this violence. The then-American president and the National Security Advisor were supporting the Pakistani dictator. The cold war triggered this geopolitical escalation. Finally, India pressurized by the 10 million refugees within its borders, went to war with Pakistan. and joining forces with the local rebels, the Mukti Bahini, helped liberate Bangladesh. Cradled in the blood of innocents, a new nation was born in the closing days of 1971. "Bay of Blood", brings this 50-odd-year-old story to life.
2023-08-11 | en
0.0
To Tell the Truth: A History of Documentary Film (1928-1946)
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2012-11-10 | en
6.6
Trespassing Bergman
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)
2013-08-28 | en
6.8
Making Waves: The Art of Cinematic Sound
The history of cinematic sound, told by legendary sound designers and visionary filmmakers.
2019-10-25 | en
7.0
Sword-and-Sandal: The Story of the Period Epic
The history of the peplum genre, known as sword-and-sandal cinema, set in Antiquity, from the silent film era to the present day.
2019-04-14 | fr
7.8
Laurel & Hardy: Their Lives and Magic
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2011-12-28 | de
0.0
Two, Three Times Branco
Akerman, Monteiro, Oliveira, Ruiz, Schroeter and Wenders are among the directors he produced: Deux, trois fois Branco is a portrait of Portuguese producer Paulo Branco, between life and legend.
2018-10-28 | fr
7.1
The Arrival of a Train at La Ciotat
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
1896-06-30 | fr
5.0
Another Romance of Celluloid
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1938-02-05 | en
10.0
Un día por Málaga
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2024-06-26 | es
0.0
Int.Anouchka-Night
Anouchka is a 30 year old screenwriter who works in a wine bar for a living. She traces her last 15 years of alcoholism thanks to a screenplay she wrote.
| fr
2.0
Ballad of a Righteous Merchant
Chronicles the making of director Werner Herzog’s 2009 feature, My Son, My Son, What Have Ye Done, providing profound insight into the director and his craft. My Son, My Son, What Have Ye Done was inspired by the true story of an actor who committed in reality the crime he was supposed to enact on stage: murdering his mother. With longtime friend Herbert Golder behind the lens, Herzog reveals the privacy and deep solitude that defines the director and his art.
2017-08-01 | en
5.5
Time in the Sun
Second attempt to create a feature film out of the 200,000-plus feet of film which Soviet film-maker Sergei Eisenstein shot during 1931-32 in Mexico for American socialist author Upton Sinclair, his wife and a small company of investors. The projected film, to be called "Que Viva Mexico", was never completed due to exhaustion of funds and Stalin's demand that Eisenstein return to the USSR (he had been absent since 1929). The first attempt at editing the footage, in the USA, resulted in "Thunder Over Mexico", released in 1934. In 1940, Marie Seton, from the UK, acquired some of the footage from the Sinclairs in an attempt to make a better cutting according to Eisenstein's skeletal outline for the proposed film. This film has apparently been lost.
1940-09-30 | en
7.6
42 Up
Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
1999-11-17 | en
0.0
Return to Nostalgia
Local filmmaker Woo Ming Jin and his crew traversed across Peninsular Malaysia and Singapore to find 'Seruan Merdeka' (1947) - the first film made in Malaya post-WWII, and also the first film in the history of Malaysian cinema to feature a biracial cast of Malays and Chinese. While tracking the film's whereabouts, Woo met many locals along the way, whom he interviewed in an effort to find out more about the country's history.
2015-10-04 | en
7.0
Discovering Cinema: Learning to Talk
Documentary illustrating the birth of sound cinema.
2003-12-31 | fr
3.2
Großes Kino made in DDR
2016-05-26 | de
6.0
Bellini and Mantegna: Renaissance Rivals
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2019-03-10 | de