

Boi de Prata
Genres
Overview
Somewhere in Rio Grande do Norte's countryside, Brazil, the wealthy farmer Elói Dantas (Álvaro Guimarães) decides to increase his patrimony even further by exploiting ores. To do this, he tries to appropriate the small site of Antônio Vaqueiro (José Marinho). Desperate, Antônio rushes to the aid of the gypsy healer Maria dos Remédios (Luiza Maranhão) and the poet and dreamer Tião Poeta (Lenicio Queirogo) to face the greed of Elói.
Details
Budget
$0
Revenue
$0
Runtime
88 min
Release Date
1981-09-26
Status
Released
Original Language
Portuguese
Vote Count
1
Vote Average
5
Lenicio Queiroga
Tião Poeta
José Marinho
Antônio Vaqueiro
Luiza Maranhão
Maria dos Remédios
Álvaro Guimarães
Elói Dantas
Fátima Barreto
Aurino Abreu
Núbia Albuquerque
Florisbaldo Bezerra
Marcelo Fernandes
João Gaspar
Simone Gouvea
Mestre Pedro Guajiru
Ilike
Amaro Lima
Paulo Lira
Jaime Lúcio
Sanin Cherques
Luciano Moraes
Paulo Paquetá
Mário Richter
Serli
Agnaldo Tavares
Sebastião de Luna
7.4
Barren Lives
In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.
1963-08-22 | pt
10.0
Soluços em Português
2023-03-07 | pt
7.3
Entranced Earth
Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.
1967-05-02 | pt
7.1
Black God, White Devil
Wanted for killing his boss, Manuel flees with his wife Rosa to the sertão, the barren landscape of Northern Brazil. Thrust into a primordial violent region, Manuel and Rosa come under the influence and control of a series of frightening figures.
1964-03-13 | pt
6.9
Antonio das Mortes
A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.
1969-06-14 | pt
5.0
Lamento
2022-04-19 | es
10.0
Pedreira de São Diogo
Men work in a quarry on the edge of a hill where a slum is located, of which they are residents. The slope is blown up, advancing to the land near the shacks. Slum dwellers are warned that new explosions can cause damage. The community decides to place itself on the slope, preventing another explosion; without attitude, the foreman gives up on blowing up the hill.
1962-11-20 | pt
7.5
The Guns
A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.
1964-06-01 | pt
0.0
In the Interstices of Reality or The Cinema of António de Macedo
He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?
2016-10-29 | pt
0.0
going away
Gabriel decides to go back to his home town. In the way, he meets "El Signo del Caos".
| pt
6.9
Macunaima
Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.
1969-09-03 | pt
6.2
How Tasty Was My Little Frenchman
Brazil, 1594. The Tupinambás natives are friends of the French and their enemies are the Tupiniquins, friends of the Portuguese. A Frenchman is captured by the Tupinambás, and in spite of his trial to convince them that he is French, they believe he is Portuguese. The Frenchman becomes their slave, and maritally lives with Seboipepe.
1971-06-01 | pt
0.0
Sérgio Ricardo: Uma Outra História do Cinema Novo
2024-04-06 | pt
0.0
Glauber Rocha em Defesa do Cinema Brasileiro
2011-08-22 | pt
6.7
Cinema Novo
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
2016-05-16 | pt
0.0
The Ridiculous
Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.
2024-05-09 | pt
0.0
An Indian in War - Life and Work of António-Pedro Vasconcelos
A retrospective on the life and work of Portuguese director António-Pedro Vasconcelos.
2019-04-05 | pt
0.0
Roberto Pires: Êle Fêz O Cinema Baiano Nascer
Before Cinema Novo revolutionized the Brazilian cinematic scenery, a young craftsman and Bahian filmmaker had already paved the way for the beginning of the journey for some of the biggest and most popular films of Brazilian history. The documentary tells fragments of the story of director Roberto Pires, through snippets of his life and a journey through his body of work, interspersing archival footage, scenes of his films and an interview with his son, also a filmmaker, Petrus Pires, followed by a poetic narration and an original soundtrack inspired by his film Abrigo Nuclear.
2024-06-24 | pt
8.0
Digest Diversity
Experimental short-film made by brazilian students about the trópicalia and cinema novo movement. The narrative revolves around the song Géleia Geral from the album Tropicália ou Panis Et Circensis and also around the political, artistical and social time from that period.
2023-11-01 | pt