Olga

Bridget Jones's Diary

April 2001 •English

Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.

The Game

January 1962 •

In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.

Carnet de identidad

May 1970 •Spanish

Persian Series #4

April 1999 •English

Elaborate petal-like and multicolored flowers rising in white space until the whole field is as if crushed by floral designs in madly-swift mixtures of every conceivable previous shape from the Persian Series. Preserved by the Academy Film Archive in 2013.

Thlípsi

December 2018 •English

A man who is paranoid and deluded by his own conspiracies that someone out there is after him must come to terms with the root of his suffering.

Something New to Die for

August 1993 •English

Portrait of The Church of the SubGenius in scratch, which means high speed cutting, media manipulation. Contains clips from the Arise, the Church's own film about itself (recrutment video), the SubGenius MTV productions, and TV interviews with sacred scribe Rev. Ivan Stang, intercut with a barrage of weird clips from movies and television.

Spectres of Shortwave

September 2016 •English

A mysterious web of international shortwave radio towers once dominated the Tantramar marshlands near Sackville, New Brunswick. For almost 70 years the RCI shortwave towers broadcast around the world. Due to budget cuts, the site was decommissioned in 2012 and dismantled in 2014. Examining themes of identity and memory, the film captures images of the towers over four seasons in various weather conditions, accompanied by the voices of residents and technicians narrating accounts of hearing radio broadcasts emanate from their household appliances.

The Monster

February 2020 •Portuguese

A man is been filled with responsibilities and problems with his family. With time, he starts to go mad.

Berlin Horse

November 1970 •English

Two fragments of 8mm home-movie footage shot by the artist near Berlin weave together in repeating cycles of action, temporal manipulation, and colour distortion, heightening the viewer’s awareness of film-time and the film-image, and perception of colour in motion.

Threshold

January 1972 •English

Le Grice no longer simply uses the printer as a reflexive mechanism, but utilises the possibilities of colour-shift and permutation of imagery as the film progresses from simplicity to complexity… With the film’s culmination in representational, photographic imagery, one would anticipate a culminating “richness” of image; yet the insistent evidence of splice bars and the loop and repetition of the short piece of found footage and the conflicting superimposition of filtered loops all reiterate the work which is necessary to decipher that cinematic image. - Deke Dusinberre

La cité des neuf portes

August 1977 •French

Filmmaker and teacher, Stéphane Marti has been researching experimental cinema as an art form liberated of aesthetic codes and the economics of big budget cinema. His work is primarily focused on the themes of the sacred and the human body. An avid supporter of the Super-8 format, he has been fighting for its merits as a tool. He has used this format film after film and has been sharing his experiences with new filmmakers during his workshops at the Sorbonne’s College of the Arts (Paris I).

Black Trip

November 1965 •English

Through the uses of kinescope, video, multimedia, and direct painting on film, an impression is gained of the frantic action of protoplasm under a microscope where an imaginative viewer may see the genesis of it all. – Grove Press Film Catalog

Ghosts

September 2005 •German

Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the meantime, Francoise is picked up at a psychic department of a Berlin hospital by her husband, Pierre. After seeing Nina, Francoise believes that she has found her kidnapped daughter Marie, but neither Toni nor Pierre believe her. Nina is unsure about what to think...

The Prestige

October 2006 •English

A mysterious story of two magicians whose intense rivalry leads them on a life-long battle for supremacy -- full of obsession, deceit and jealousy with dangerous and deadly consequences.

The Diary of Anne Frank

March 1959 •English

The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.

Heathers

March 1989 •English

A girl who halfheartedly tries to be part of the "in crowd" of her school meets a rebel who teaches her a more devious way to play social politics: by killing the popular kids.

Eastern Promises

September 2007 •English

A Russian teenager living in London dies during childbirth but leaves clues in her diary that could tie her child to a rape involving a violent Russian mob family.

The Tiny Ventriloquist

November 2012 •English

"In the first shot of Reinke’s new feature length video, we see the desert landscape of the American Southwest from a car window. Though shaky and handheld, it is an immediately recognizable and iconic image: the great vistas of Hollywood westerns, of American westward expansion, of monumental modernist land art from the late 20th century. On the soundtrack, Reinke’s unmistakable voice apologizes for beginning the film with a shot of a landscape from a moving car, but what is he to do? The camera is already rolling. This moment encapsulates much of what transpires in the scenes that follow: presenting us with an image, dismissing that image and wryly suggesting he is doing nothing here, that the footage is just unreeling. Reinke’s collection and organization of images and sounds seem casual at first, but ultimately reveal themselves to be heavily mediated and orchestrated."

Expiration

July 1976 •

Short experimental film.

Closed Beaches

Invalid date •

Beaches are closed during the COVID-19 pandemic. Nevertheless, the middle class must survive the tropicals.