King of Sanwi
Genres
Overview
A companion piece to Pelourinho: They Don’t Really Care About Us (NYFF57), King of Sanwi continues Akosua Adoma Owusu’s exploration of Michael Jackson as a global pop icon. Here, Michael’s long affinity with the African continent—from the Jackson 5’s arrival in Senegal in 1974 to Michael’s coronation as an Ivorian king in 1992—is captured in vibrant, fuzzy archival video, made visceral by Owusu’s funky audiovisual collage and richly material direct animation effects.
Details
Budget
$0
Revenue
$0
Runtime
7 min
Release Date
2020-09-17
Status
Released
Original Language
English
Vote Count
1
Vote Average
8
Michael Jackson
Self (archive footage)
0.0
Velocity Into Execution
In continuous motion with no end or barrier in its way.
2017-08-01 | en
0.0
Leftovers
A manufactured memory.
2017-05-23 | en
0.0
Madhouse Mitchel
Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.
2017-04-20 | en
0.0
Weightless Bird In A Falling Cage
A faceless protagonist witnesses the alienation of gentrification as his home is overtaken by development. the forces behind it are demanding him to leave, but also consequently push him further and further into his not-home.
2017-08-29 | en
0.0
Serpent’s Skin
Based on D.H. Lawrence's "Lady Chatterley's Lover" and one of the pioneering films of the Iranian New Wave
1964-10-05 | fa
0.0
Highs
Mid-period Brakahge short. "Haiku cartoons."
1976-12-25 | en
3.5
Centre
Series of narrative events, stories if you like, but so clustered visually as to have a center so to speak, slightly off center.
1978-01-01 | en
0.0
Rembrandt, Etc., and Jane
The following films were all made in 1976. I do not wish to describe them. —SB "Two portrait sketches and two nondescript."
1976-12-24 | en
0.0
Bird
This portrait of a guinea fowl is the first clear vision I've had of the hot-blooded dinosaurs still living among us. (SB)
1978-01-01 | en
0.0
Worm and Web Love
WORM AND WEB LOVE begins with bracketed light, a throbbing worm in the sand and sea foam mixed with grass and oceanic detritus, soon superimposed upon the dark blue-toned face of a man, then a woman (Michael McClure and Amy Evans McClure), each seen, then on, through superimpositions of drifting smoke and the back-lit stark grid of a spider's web. The obvious affections of the man and woman, their clear display of love, is metaphored in these tenuous superimpositions, culminating in the frantic movements of the spider itself and the dance of joy of the features of the couple in loving resolution.
1999-01-01 | en
0.0
City Streaming
This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to "sing" the city as remembered from daily living...complementary, then, to an earlier film, "Unconscious London Strata." Preserved by the Academy Film Archive in 2015.
1990-01-01 | en
0.0
Marilyn's Window
This stream-of-consciousness could be nothing less than pathway of the soul, as images of Marilyn's window are remembered from inside-out, its "view" interwoven with all of other windowing and the Elements of the known world.
1988-01-01 | en
0.0
Confession
"Firstly, I revealed in salutary confession the secret filth of my misdeed, which had long been festering in stagnant silence; and I made it my custom to confess often, and thus to display the wounds of my blinded soul..." (Petrarch, 1352, in a letter to his brother). I wish to avoid any "classical" misunderstandings of the above quote by stating clearly here that any sacrifice of love is, yes, "filth" or at the very least "misdeed." An academic reading of Petrarch tends to bias thought that there are kinds of love which might be wrong: I do not believe this. (SB)
1986-01-01 | en
0.0
Flight
Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of this film which centers in consideration of death. It is the third tone poem film and did much surprise me by thus completing a trilogy of the "4 classical Elements." (SB)
1974-01-01 | en
0.0
Babylon Series #1
After a six -or seven- year study of Hammurabi's Code, original Babylonian Text and translation, I've tried to feel my way into the moving visual thought process of this ancient culture (whose numerical system is composed primarily of building materials, nails, joints and the like): this, then, is a visual music which balances the two thought processes of Structure and Nature.
1989-12-10 | en
0.0
Babylon Series #2
Out of the vagueries of sometime beseeming repetitive light patterns, and the delicately variable rhythms of thought process, the imagination of The Monumental and of the Ephemeral are born to mind hard as nails.
1990-01-01 | en
0.0
Babylon Series #3
This is an architectural garden of the variably brash rock-solid liquid-encompassing, but always imitative, human mind as it processes the given light thoughtfully. This film is about that.
1990-01-01 | en
6.3
Spree
Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.
2015-12-31 | en
6.4
Atlantis
A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.
2014-10-19 | en
0.0
Four Journeys Into Mystic Time: Trans
Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience.
1978-01-01 | en