
Promises to the Future
Genres
Overview
As the filmmaker pursues a creative career, she goes looking for others in similar positions to explore what her decision entails. Mixing experimental art and documentary film, the work explores the real and imaginary boundaries of creativity.
Details
Budget
$0
Revenue
$0
Runtime
25 min
Release Date
2020-05-30
Status
Released
Original Language
English
Vote Count
0
Vote Average
0
0.0
Agnes Martin: With My Back to the World
A groundbreaking documentary on the internationally renowned painter, designated by ARTnews Magazine one of the world's top-ten living artists. This documentary was shot over a period of four years, from 1998 through 2002, Agnes Martin's ninetieth year. Interviews with Martin are inter-cut with shots at work in her studio in Taos, New Mexico, with photographs and archival footage, and with images of her work from over five decades. It is a venue for Martin to speak about her work, her working methods, her life as an artist, and her views about the creative process. She also discusses her film, "Gabriel" and reads from her poetry and lectures. In keeping with Martin's chosen life of solitude, she alone appears in the documentary.
2003-03-01 | en
6.0
The Wonder Ring
An important early film by Stan Brakhage, which Joseph Cornell commissioned as a record of New York's Third Avenue elevated train before it was torn down. Curiously lacking in people, the film focuses on the rhythms of the ride and reflections in train windows, finding a real-world version of the superimpositions Brakhage would later create in the lab. Preserved by the Academy Film Archive in 2005.
1955-12-04 | en
6.2
Now!
Using morgue photos, newsreel footage, and a recording by Lena Horne, Cuban filmmaker Santiago Alvarez fired off 'Now!', one of the most powerful bursts of propaganda rendered in the 1960s.
1965-01-01 | es
5.1
Thigh Line Lyre Triangular
Only at a crisis do I see both the scene as I've been trained to see it ( that is, with Renaissance perspective, three-dimensional logic–colors as we've been trained to call a color a color, as so forth) and patterns that move straight out from the inside of the mind through the optic nerves... spots before my eyes, so to speak... and it's very intensive, disturbing, but joyful experience. I've seen that every time a child was born... Now none of that was in WINDOW WATER BABY MOVING; and I wanted a childbirth film which expressed all of my seeing at such a time.
1961-11-07 | en
0.0
Monument
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.
1967-04-17 | en
0.0
THE MACHINE
2024-06-02 | he
0.0
ASK ALLSTON: A Documentary About Boston DIY
A documentary filmed between 2016 - 2018 about the Boston DIY music scene, and part of the community that keeps it going.
| en
7.5
Phil Tippett: Mad Dreams and Monsters
An in-depth, sad, and beautiful documentary about the stop motion and VFX artist Phil Tippett, a man who changed the landscape of visual effects in film.
2019-09-14 | en
6.3
Glitterbug
A collage of Derek Jarman's super 8 footage spanning over 20 years.
1994-03-05 | en
7.0
Mountain Men: The Ghosts of K2
The dramatic stories of Fritz Wiessner’s 1939 K2 expedition and Charlie Houston’s return in 1953. K2 is one of the hardest mountains in the world to climb. This film focuses on the expeditions of Fritz Wiessner and Charlie Houston in 1953. An award winner at the Banff, Telluride, Trento and Prague film festivals.
2001-05-31 | en
0.0
All Inclusive
"All Inclusive" tells the story of seven women who are going on holidays to Morocco, getting out of the hotel and confronting women from Morocco. They will look for their own way of life in the desert, confront their world, looking at the reality that surrounds them.
2024-06-01 | pl
6.3
A. K.
An intimate chronicle of the shooting of Ran (1985), a film directed by the legendary Japanese filmmaker Akira Kurosawa.
1985-05-20 | fr
7.8
Charlie Chaplin, The Genius of Liberty
The whole world knows him. Burlesque comedy genius, popular actor, author, director, producer, composer, choreographer, Charlie Chaplin (1899-1977) used his talent to serve an ideal of justice and freedom. But his best scenario was his own destiny, a story written into the political and artistic history of the 20th century.
2020-10-14 | fr
5.6
The American Dreamer
A documentary about actor/director Dennis Hopper, showing him at his home and studio putting together his film "The Last Movie."
1971-04-01 | en
7.2
Grand Opera: An Historical Romance
Grand Opera marks a stock-taking of Benning's work and his life, presenting a personal and artistic autobiography woven together with a series of events dealing with the historical development of the number pi, Benning's travels, and homages to Michael Snow, Hollis Frampton, George Landow (Owen Land), and Yvonne Rainer.
1979-03-15 | en
6.0
Vampir Cuadecuc
An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.
1972-05-05 | en
4.2
Paradise Now
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.
1970-03-21 | en
0.0
Tehran Blues
Different faces show us an Iran where tradition and modernity coexist and confront each other. Erfan Shafei invites us to discover a country through its music and its people. Erfan is a funny and ironic young Kurdish man who wants to become a film director. He sings, writes poetry, lives with his parents and his parrot, but knows nothing about love...
2020-11-26 | es
7.1
The End of Time
Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.
2012-12-12 | en
6.3
The Act of Seeing with One's Own Eyes
At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton
1972-02-19 | en