Where are the African Gods?
Lyricist Abbey Lincoln’s words are brought to life in this meditative portrait of black masculinity
Genres
Overview
A moving recording of the late writer and renowned jazz singer Abbey Lincoln is captured in this new film from Brooklyn-born director Rodney Passé, who has previously worked with powerhouse music video director Khalil Joseph. Reading from her own works, Lincoln’s voice sets the tone for a film that explores the African American experience through fathers and their sons.
Details
Budget
$0
Revenue
$0
Runtime
4 min
Release Date
2018-03-26
Status
Released
Original Language
English
Vote Count
0
Vote Average
0
0.0
Velocity Into Execution
In continuous motion with no end or barrier in its way.
2017-08-01 | en
0.0
Leftovers
A manufactured memory.
2017-05-23 | en
6.8
Statues Also Die
Short documentary commissioned by the magazine Présence Africaine. From the question "Why is the African in the anthropology museum while Greek or Egyptian art are in the Louvre?", the directors expose and criticize the lack of consideration for African art. The film was censored in France for eight years because of its anti-colonial perspective.
1953-05-01 | fr
6.1
A Walk to Beautiful
"A Walk to Beautiful" tells the story of five women in Ethiopia suffering from devastating childbirth injuries. Rejected by their husbands and ostracized by their communities, these women are left to spend the rest of their lives in loneliness and shame. The trials they endure and their attempts to rebuild their lives tell a universal story of hope, courage, and transformation.
2007-05-05 | en
0.0
Richard Hugo: Kicking the Loose Gravel Home
Filmed on location in Montana and Washington State, this 1976 biography of poet and teacher Richard Hugo features readings of some of his most famous poems as well as interviews with his family and friends.
1976-01-01 | en
0.0
Bird
This portrait of a guinea fowl is the first clear vision I've had of the hot-blooded dinosaurs still living among us. (SB)
1978-01-01 | en
0.0
Worm and Web Love
WORM AND WEB LOVE begins with bracketed light, a throbbing worm in the sand and sea foam mixed with grass and oceanic detritus, soon superimposed upon the dark blue-toned face of a man, then a woman (Michael McClure and Amy Evans McClure), each seen, then on, through superimpositions of drifting smoke and the back-lit stark grid of a spider's web. The obvious affections of the man and woman, their clear display of love, is metaphored in these tenuous superimpositions, culminating in the frantic movements of the spider itself and the dance of joy of the features of the couple in loving resolution.
1999-01-01 | en
0.0
City Streaming
This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to "sing" the city as remembered from daily living...complementary, then, to an earlier film, "Unconscious London Strata." Preserved by the Academy Film Archive in 2015.
1990-01-01 | en
0.0
Marilyn's Window
This stream-of-consciousness could be nothing less than pathway of the soul, as images of Marilyn's window are remembered from inside-out, its "view" interwoven with all of other windowing and the Elements of the known world.
1988-01-01 | en
0.0
Confession
"Firstly, I revealed in salutary confession the secret filth of my misdeed, which had long been festering in stagnant silence; and I made it my custom to confess often, and thus to display the wounds of my blinded soul..." (Petrarch, 1352, in a letter to his brother). I wish to avoid any "classical" misunderstandings of the above quote by stating clearly here that any sacrifice of love is, yes, "filth" or at the very least "misdeed." An academic reading of Petrarch tends to bias thought that there are kinds of love which might be wrong: I do not believe this. (SB)
1986-01-01 | en
0.0
Flight
Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of this film which centers in consideration of death. It is the third tone poem film and did much surprise me by thus completing a trilogy of the "4 classical Elements." (SB)
1974-01-01 | en
0.0
Babylon Series #1
After a six -or seven- year study of Hammurabi's Code, original Babylonian Text and translation, I've tried to feel my way into the moving visual thought process of this ancient culture (whose numerical system is composed primarily of building materials, nails, joints and the like): this, then, is a visual music which balances the two thought processes of Structure and Nature.
1989-12-10 | en
0.0
Babylon Series #2
Out of the vagueries of sometime beseeming repetitive light patterns, and the delicately variable rhythms of thought process, the imagination of The Monumental and of the Ephemeral are born to mind hard as nails.
1990-01-01 | en
0.0
Babylon Series #3
This is an architectural garden of the variably brash rock-solid liquid-encompassing, but always imitative, human mind as it processes the given light thoughtfully. This film is about that.
1990-01-01 | en
0.0
Booker T. Washington: The Life and the Legacy
Traces the life of Booker T. Washington, ex-slave, author, educator, and political leader, focusing on his stewardship of Tuskegee Institute in Alabama. Uses historic photographs, re-created vignettes, and interviews with contemporaries such as W.E.B. DuBois to present Washington's complex personality and his influence on southern life after the Civil War. Also examines his controversial policies of Black economic self-reliance and political accommodation
1982-05-31 | en
6.4
Atlantis
A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.
2014-10-19 | en
0.0
I'm Not Black, I'm Coloured: Identity Crisis at the Cape of Good Hope
In the wake of one of the worst social experiments in the history of mankind, 'I'm not Black, I'm Coloured' is one of the first documentary films to look at the legacy of Apartheid from the viewpoint of the Cape Coloured. A people who in 1994, embraced the concept of Desmond Tutu's all encompassing 'rainbow nation', but soon thereafter realized that freedom, privilege, economic growth and equality would not include them. A people who for more than 350 years has been disregarded, ignored, belittled, and stripped of anything they can call their own enduring a complex psychological oppression and identity crisis unparalleled in South African history.
2009-02-09 | en
0.0
Cruel Famine Continent
Cruel Famine Continent documents the Great Sahelian drought in West Africa and its effect on the people. The production was an attempt to pivot Toei's output from yakuza films and Toei Porn towards "global issues" and "whatever makes money", as stated by then-Toei president Shigeru Okada. Theatrical proceeds were to be shared as relief funds through the Japanese Red Cross, though the box office returns are unknown. Footage shot for the documentary by Yoshimitsu Banno would later be reused in the 1974 Toho production Prophecies of Nostradamus.
1973-06-20 | ja
7.0
Meeting David Wilson
African American filmmaker David A. Wilson decided to look into his family's history during the slave era. The result is this documentary, which provides a unique perspective on the long shadow cast by slavery in America. Wilson travels to North Carolina to visit the plantation where his ancestors once toiled and to meet its current owner -- a white man named David Wilson, whose slave-owning ancestors originally occupied the property.
2008-06-01 | en
3.5
Der lange Weg ans Licht
Edeltraut Hertel - a midwife caught between two worlds. She has been working as a midwife in a small village near Chemnitz for almost 20 years, supporting expectant mothers before, during and after the birth of their offspring. However, working as a midwife brings with it social problems such as a decline in birth rates and migration from the provinces. Competition for babies between birthing centers has become fierce, particularly in financial terms. Obstetrics in Tanzania, Africa, Edeltraud's second place of work, is completely different. Here, the midwife not only delivers babies, she also trains successors, carries out educational and development work and struggles with the country's cultural and social problems.
2008-02-28 | de