The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

1896-06-30 | fr

Barluschke

The documentary relates how in the second half of the 20th century the agent Berthold Barluschke was first a henchman of the State Security Service of the GDR and then of the West German Federal Intelligence Service.

1998-03-26 | de

Die Markus Family

This film tells the story of Markus Anatol Weisse, who, astonishingly enough, became an artist, in spite of being only very partially sighted. Markus also builds strange machine-like beings and wishes that he himself were a biological robot, or cyborg.

2001-03-01 | de

Giscard, de vous à moi : Les Confidences d'un président

2017-04-03 | fr

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

1895-03-22 | fr

Planet Mokka

Portrait of swiss based Club "Café Mokka" and its club manager MC Anliker

2011-11-20 | en

Oscar

Brilliantly mixing animated sequences and archival footage, Marie-Josée Saint-Pierre paints a touching portrait of virtuoso pianist Oscar Peterson.

2016-11-01 | en

The Grass Dwellers

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

2022-11-28 | es

Victoria in Winter

A documentary in réalité style harkening back to the early years of cinema. Composed of scenes around Victoria, BC during February 2019.

2019-11-22 | en

Int.Anouchka-Night

Anouchka is a 30 year old screenwriter who works in a wine bar for a living. She traces her last 15 years of alcoholism thanks to a screenplay she wrote.

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Laurent Ruquier, on ne demande qu'à le connaître

2012-12-27 | fr

Connections: Ray Johnson On-Line

A portrait of the American artist Ray Johnson (1927-1995), based on a personal interpretation of Johnson’s avant-garde strategies, using the telephone and the internet as primary sources for sound and image.

2001-07-01 | en

Midnight Ramble

A documentary chronicling the pioneering efforts of black filmmaker William D. Foster in the early years of the industry and Oscar Micheaux's controversial impact on the subsequent "race movies".

1994-10-26 | en

planet v

Fidgeting fish, dancing on the train, big stages – we scroll through a phone gallery. How do you find your own identity between ever-changing trends? When do the borders between real and virtual life blur? A documentary about a self-made musician who wants to stand her ground in a digital world.

2024-07-06 | de

Inhabitants

Le Lignon: a long building with two towers, below it the Rhone River and its forest, habitat to many birds. Two microcosms that influence and inspire each other. From their windows, the inhabitants watch the woods. What do they see? The film shows the human need for closeness to the animals that surround us, and the ambivalent relationship between humans and nature.

2024-04-04 | fr

Den stora stenen

Documentary film maker Anders Wahlgren interviews the artist Peter Tillberg.

1976-01-01 | sv

Resa till jordens medelpunkt

Interview with artist Jan Håfström about his art.

1976-01-01 | sv

Porträttet

Interview with the Swedish artist John E. Franzén.

1977-01-01 | sv

A vouezh uhel

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Stop for Bud

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

1963-12-17 | da