Emak-Bakia
Genres
Overview
Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique.
Details
Budget
$0
Revenue
$0
Runtime
18 min
Release Date
1926-07-26
Status
Released
Original Language
French
Vote Count
55
Vote Average
6.882
Kiki of Montparnasse
Girl with painted eyes
Jacques Rigaut
5.0
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Scientists demonstrate the wonders of magnified objects.
1939-08-11 | cs
5.5
One Second in Montreal
A silent succession of black-and-white photographs of the city of Montreal.
1969-09-25 | en
4.2
Song 5
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1964-03-20 | en
0.0
Drift
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2021-05-01 | pt
5.2
Todo Todo Teros
Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.
2006-08-18 | en
7.3
Let Us Persevere in What We Have Resolved Before We Forget
On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.
2013-07-04 | en
0.0
A Day at the End of 25 Years
An experimental short film shot on Soviet Sveta 8mm film stock expired in 1984. It documents the 25th birthday of the filmmaker.
2020-03-01 | en
0.0
Victoria in Winter
A documentary in réalité style harkening back to the early years of cinema. Composed of scenes around Victoria, BC during February 2019.
2019-11-22 | en
0.0
Drink
Film by Robert Todd
| en
0.0
Private Chronicles: Monologue
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.
1999-01-01 | ru
6.9
Letter in Motion to Gilles Jacob and Thierry Fremaux
Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, "Goodbye to Language," at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video "Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux." The video intercuts from Godard speaking cryptically about his "path" to key scenes from Godard classics such as "Alphaville" and "King Lear" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.
2014-05-21 | fr
0.0
The Way to My Father’s Village
In the fall of 1986, Richard Fung made his first visit to his father's birthplace, a village in southern Guangdong, China. This experimental documentary examines the way children of immigrants relate to the land of their parents, and focuses on the ongoing subjective construction of history and memory. The Way to My Father's Village juxtaposes the son's search for his own historical roots, and his father's avoidance of his cultural heritage.
1988-01-01 | en
0.0
Sermons and Sacred Pictures
"An experimental documentary on Reverend L.O. Taylor, a black Baptist minister from Memphis, Tennessee who was also an inspired filmmaker with an overwhelming interest in preserving the social and cultural fabric of his own community in the 1930′s and 40s. I combine his films and music recordings with my own images of Memphis neighborhoods and religious gatherings" -Sachs
1989-03-25 | en
0.0
Roman Chariot
A vehicle of consciousness navigates the vertiginous labyrinths of San Francisco. ROMAN CHARIOT was filmed over several months with a spy camera mounted on filmmaker David Sherman's son's baby carriage.
2004-01-01 | en
5.7
Chinese Viola
The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.
1975-05-31 | pt
0.0
Contágio
Several Portuguese creators occupy the director's chair in this collective short film shot during the COVID-19 pandemic shutdown in an unfolding of personal perspectives.
2021-01-29 | pt
7.0
The Bomb
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
2017-06-10 | en
8.0
Rytmus
An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.
1941-03-18 | cs
0.0
Clouds
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
1969-12-19 | en
10.0
it's a girl!
A self-portrait short film on 16mm from a trans male perspective.
2020-12-02 | en