

No No Nooky T.V.
Genres
Overview
NO NO NOOKY TV posits sexuality to be a social construct in a "sex-text" of satiric graphic representation of "dirty pictures." Made on an Amiga Computer and shot in 16mm film, NO NO NOOKY TV confronts the feminist controversy around sexuality with electronic language, pixels and interface. Even the monitor is eroticized in this film/video hybrid that points fun at romance, sexuality, and love in our post-industrial age. Preserved by the Academy Film Archive in 2017.
Details
Budget
$0
Revenue
$0
Runtime
12 min
Release Date
1987-01-01
Status
Released
Original Language
English
Vote Count
4
Vote Average
6
4.8
Women in Defense
Short documentary extolling the virtues and necessity for women to participate in America's preparation for war, showing women working in scientific, industrial, and voluntary-services activities. Preserved by the Academy Film Archive in 2008.
1941-12-24 | en
5.8
Appointment in Tokyo
Produced by the Army Pictorial Service, Signal Corps, with the cooperation of the Army Air Forces and the United States Navy, and released by Warner Bros. for the War Activities Committee shortly after the surrender of Japan. Follow General Douglas MacArthur and his men from their exile from the Philippines in early 1942, through the signing of the instrument of surrender on the USS Missouri on September 1, 1945. Preserved by the Academy Film Archive in 2013.
1945-12-07 | en
5.8
The Battle of Midway
The Japanese attack on Midway in June 1942, filmed as it happened. Preserved by the Academy Film Archive, in partnership with Twentieth Century Fox Film Corporation, in 2006.
1942-09-14 | en
0.0
The Costume Designer
This short focuses on the job of the costume designer in the production of motion pictures. The costume designer must design clothing that is correct for the film historically and geographically, and must be appropriate for the mood of the individual scene. We see famed costume designer Edith Head at work on a production. The Costume Designer was part of The Industry Film Project, a twelve-part series produced by the film studios and the Academy. Each series episode was produced to inform the public on a specific facet of the motion picture industry. Preserved by the Academy Film Archive in 2012.
1950-07-13 | en
0.0
The Art Director
A film's art director is in charge of the set, from conception to construction to furnishing. This short film walks the viewer through art directors' responsibilities and the demands on their talents. They read a script carefully and design a set to capture the time and place, the social strata, and the mood. They must be scholars of the history of architecture, furnishings, and fashion. They choose the colors on a set in anticipation of the lighting and the mood. Their work also sets styles, from Art Deco in the 20's to 30s modernism. Then it's on to the next project. Preserved by the Academy Film Archive in 2012.
1949-11-12 | en
5.9
Andrey Svislotskiy
This animated short focuses on the lives of three eccentric people living on a farm in the Ukrainian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants. Preserved by the Academy Film Archive in 2007.
1991-01-01 | xx
0.0
On the Pole: Eddie Sachs
The documentary traces Eddie Sachs (one of the most popular drivers in the history of the Indianapolis 500) in a behind-the-scenes look at the race from his perspective, starting from a week before the race through the day after the big event. You can feel the fervor and anticipation build (*pay close attention to the scaffolding that collapses with too many people on it during the race) as Eddie prepares to keep his place, "on the pole." Preserved by the Academy Film Archive in 2010.
1961-08-31 | en
6.6
The Man Who Skied Down Everest
This Oscar-winning documentary tells the story behind Japanese daredevil Yuichiro Miura's 1970 effort to ski down the world's tallest mountain. Preserved by the Academy Film Archive in 2010.
1975-09-19 | en
6.7
Asparagus
A symbolic reflection on issues of female sexuality, art and identity constructs.
1979-03-17 | en
10.0
The Extraordinary Adventures of a Quart of Milk
Documentary short subject preserved by the Academy Film Archive, from the Marshall Plan Collection, in 2003.
1951-01-01 | fr
5.5
Anijam
The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence. Preserved by the Academy Film Archive in 2010.
1984-01-01 | en
4.0
I Don't Know
A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.
1971-11-09 | en
6.5
The Tune
Del is a song writer for the obnoxious Mr. Mega, and in love with Didi, Mega's secretary. His quest to write a hit tune brings him to the wacky world of Flooby Nooby, where he just might learn to write songs from the heart. Preserved by the Academy Film Archive in 2016.
1992-09-04 | en
7.7
Marjoe
Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism". Preserved by the Academy Film Archive in 2005.
1972-07-24 | en
6.0
The Chair
Follows a crusading lawyer as he embarks on a campaign to save an African-American man, Paul Crump, from the electric chair. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.
1963-08-24 | en
7.5
Harlan County U.S.A.
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
1977-01-23 | en
6.6
Wat's Pig
In a Medieval castle, a marauder tries to kidnap the twin infant sons of the lord. He makes off with only one, whom he drops about a mile away. A pig rescues this baby, so one brother grows up high on the hog, the other down with the swine; one is lazy, his lost brother is industrious. Years later, when a neighboring prince declares war, the brother in the castle is too soft to fight. Through happenstance, the twins are united just before the final battle. Will the upper-class brother let his humble sibling lead the troops to certain defeat and death? Preserved by the Academy Film Archive.
1996-04-10 | en
6.2
Closed Mondays
An intoxicated man trespasses into an art gallery after hours.
1974-10-01 | en
6.4
Guard Dog
Why do dogs bark at such innocent creatures as pigeons and squirrels... what are they afraid of? This film answers that eternal question. Preserved by the Academy Film Archive.
2004-10-14 | en
5.4
The Cow Who Wanted To Be a Hamburger
A children's fable about the power of advertising, the meaning of life and ultimately the test of a mother's love. Preserved by the Academy Film Archive in 2016.
2010-03-12 | en