Luz Marina

Black Trip

November 1965 •English

Through the uses of kinescope, video, multimedia, and direct painting on film, an impression is gained of the frantic action of protoplasm under a microscope where an imaginative viewer may see the genesis of it all. – Grove Press Film Catalog

Memby

August 2020 •Portuguese

Glimpses and sparkles of light lead us onto the dreamy path of a timeless place, immersed within ancient nature. There, the ancestors move beyond the darkness, seeking to create another (im)possible world.

Hers is a Lush Situation

December 2018 •English

Like reading the back pages of a discarded journal revealing the thoughts of a young man slipping into madness, Hers Is A Lush Situation mixes a disjointed narrative with an underlying thread of black humor to give a subtle view on what young, urban lives really look like today.

Melting

January 1965 •English

Melting shows the natural monostructural disintegration of a strawberry sundae, its passage from rigidity to softness, from edibility to waste. The spoon resting on the plate refers to the human presence, which lurks behind the screen, declining to interfere with what transpires. Preserved by the Academy Film Archive in 2009.

Acceleration

June 1968 •

A film about the dominance of time and space over a human being. A poetic reflection on the transience of material life characterized by a Mediterranean ambience, contemplation, mosaic structure, and repetitive editing patterns.

Spectrum

September 2019 •

A 1963 timelapse recording shows the effects of air pollution during an entire day on Santa Monica Bay in Los Angeles. A machine interpretation of an unstable version of the original file is divided into slits and rearranged in time, giving rise to a time panorama that mirrors an uncertain, abstract future lying ahead of us.

Olga

August 2020 •English

Farewell letter to an old love.

Book of Dreams: Welcome to Crateland

January 1994 •English

Mona relates her dream. Crawling through an apparently endless wooden crate, she encounters diverse characters while the crate itself is moving towards a fiery destruction.

Metamorphic

January 1991 •Italian

It is well known that the disposition of the images drawn by Escher are neither for animation nor for pre-animation; actually, quite the opposite. His images appear to be the carrying out of metamorphic dissolves. A bird gives way to the recognition of a house, which turns into fish, which turns into birds, and so on. Not a single flapping of wings takes place; everything is reiterated and fixed, becoming immersed in and re-emerging from a static continuum. All of Escher is an homage to one of the major animating forces of the cinema: the cross-dissolve. Precisely there, I found cinematic attitudes: in the house which turns into fish and in everything that transforms into something else. I gradually managed to figure out various types of non-existent sequences and then finally found myself dissolved, crossing over metamorphically. —P.G.

Death of a Stag

January 1951 •French

Russian emigré Dimitri Kirsanoff’s film, alternatively titled Death of A Stag and Une chasse à courre, is a post-war study of a traditional stag hunt. The pursuit of the animal finds a cross-cutting parallel in the felling of a tree in the forest.

Boys Night

November 2018 •English

"After chasing sunsets, one of life's simple joys is playing with the boys." - Kenneth Clark Loggins

there is a willow grows aslant a brook,

July 2020 •Spanish

"My name, melancholia".

Redland

March 2009 •English

As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.

Shoot Me

September 2013 •English

The Iranian filmmaker Narges Kalhor, daughter of a former advisor of Ahmadinejad's, has been living in exile in Germany for four years. When she hears that the fellow Iranian rapper Shahin Najafi, who is also living in exile in Germany, faces death threats and has to hide because of one of his songs, she doesn't hesitate and has to find him. On her search she encounters fear everywhere. Narges Kalhor has to face her inconvenient memories of suppression, hatred and anger for her past in Iran.

Chelsea Girls

September 1966 •English

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

A Fan

January 1968 •English

A man in drag sits on a couch holding a fan. The wallpaper behind him is floral patterned. Although the man does little more than looking around and waving his fan, Zwartjes created enormous tension.

The Game

January 1962 •

In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.

Thlípsi

December 2018 •English

A man who is paranoid and deluded by his own conspiracies that someone out there is after him must come to terms with the root of his suffering.

Carnet de identidad

May 1970 •Spanish

Persian Series #4

April 1999 •English

Elaborate petal-like and multicolored flowers rising in white space until the whole field is as if crushed by floral designs in madly-swift mixtures of every conceivable previous shape from the Persian Series. Preserved by the Academy Film Archive in 2013.